Topic Descriptor: academic art×
  • 15 artistas brasileiros: colocando dobradiças na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1996
    According to Tadeu Chiarelli, contemporary international art has moved away from personal expression and embraced an industrial aesthetic. This is the result of a serial, modular logic that rejects any attempt to stress the physical and chemical [...]
    ICAA Record ID: 1110500

  • Leonilson: a implosão da imagem
    Guinle, Jorge, 1947-1987
    1983
    To what extent did artists involved in the transavantgarde deviate from that modern tradition that tirelessly sought to create something new? This is the basic question that Jorge Guinle asks in this article. He sees that the new “school” [...]
    ICAA Record ID: 1110504

  • O popular como matriz
    Amaral, Aracy A., 1930-
    1985
    Aracy Amaral explains that since the early twentieth century, fine artists from Latin America in search of their cultural roots have taken an interest in the themes and formal usage of popular expression. The examples she cites include Tarsila do [...]
    ICAA Record ID: 1110503

  • Sob o signo do sincretismo
    Risério, Antonio
    1995
    Antonio Risério discusses the origins of the artistic avant-garde in Bahia in the 1950s and 1960s. He notes the syncretic nature of this particular form of art that embraces everything from high culture to popular culture to mass communication. He [...]
    ICAA Record ID: 1110506

  • Una hora con el maestro Francisco A. Cano
    Castillo, Eduardo, 1889- 1938
    1927
    This interview by Caballero Duende focuses on the education and artistic preferences of Colombian artist Francisco Antonio Cano, as well as the general situation of art education. In 1899 and 1900, Cano traveled in Europe, visiting and studying in a [...]
    ICAA Record ID: 1079307