Topic Descriptor: government×
  • Bode; A exposição de Antônio Manuel de zero às 24 horas nas bancas de jornais
    Manuel, Antonio
    1984
    The artist Antonio Manuel describes two works that were conceived for an exhibition at the MAM-RJ (Museu de Arte Moderna do Rio de Janeiro) in 1973, an event that the museum canceled on the eve of its opening in an attempt to avoid “difficult [...]
    ICAA Record ID: 1110565

  • Cuzco pide conocer la 2nd. y la 3ra. maqueta de Túpac Amaru : han formulado críticas al proyecto ganador, pues corresponde a una estatua ecuestre, sin originalidad
    1972
    This article from El Comercio, a Cuzco newspaper, refers to the competition organized to choose a sculpture to honor Túpac Amaru II to be placed in Cuzco’s Plaza de Armas, and reports that the winning design had been rejected. The correspondent [...]
    ICAA Record ID: 1141806

  • Gral. Velasco develó cuadro en el Salón "Túpac Amaru"
    1972
    This brief but eloquent article reports on the ceremony in which General Juan Velasco Alvarado, the president of the military junta in power from 1968 to 1975, unveils the portrait of Túpac Amaru II, the indigenous forefather of Peruvian [...]
    ICAA Record ID: 1141837

  • Inserções em circuitos ideológicos (1970)
    Meireles, Cildo
    1981
    In this text, Brazilian artist Cildo Meireles recalls the late sixties when he and other artists “first came into contact with what was truly of interest,” mainly acting directly on real “situations” rather than creating representations of [...]
    ICAA Record ID: 1110568

  • La inercia del gobierno da pie a un nuevo golpe reaccionario : Cuestión de vida o muerte
    Rivera, Diego, 1886-1957
    1924
    Diego Rivera, author of this essay, conducts a political analysis of the role that workers and peasants played as allies of the government in the struggle against the “reaction;” that is, a coup d’état carried out against the government that [...]
    ICAA Record ID: 764022

  • La rebelión contra Túpac Amaru
    Araníbar, Manuel
    1971
    In this text, Manuel Araníbar voices his opinion about the controversies surrounding the image of the indigenous forefather of Peruvian independence, José Gabriel Condorcanqui, Túpac Amaru II. In Araníbar’s view, the movement to uphold the [...]
    ICAA Record ID: 1141885

  • Las decoraciones que pasaron a ser revolucionarias
    Acevedo, Esther
    1986
    Using newspaper sources, Esther Acevedo explores the diverse ways in which different groups of artists and intellectuals arose during 1920-1924 around the concept of “what is national,” particularly in the visual arts. She also investigates the [...]
    ICAA Record ID: 833203

  • Os dois lados da arquitetura francesa pós-Beaubourg
    Arantes, Otilia Beatriz Fiori
    1998
    In this text, researcher Otília Arantes reflects on the impact of recent initiatives in France to restore the country’s position as a world center of twentieth-century cultural production. The projects undertaken and investments made form the [...]
    ICAA Record ID: 1111216

  • Presidente Velasco formuló ayer importantes declaraciones a los periodistas en Palacio
    Velasco Alvarado, Juan, 1910-1977
    1972
    This document is the official version of the press conference given by the de facto president, General Juan Velasco Alvarado, at the Palacio de Gobierno in Peru on June 24, 1972. While the issues addressed revolve around international relations of [...]
    ICAA Record ID: 1141950

  • Proyecto de declaraciones del maestro Carlos Chávez
    Chávez, Carlos, 1899-1978
    1952
    Carlos Chávez announces the opening of the Mexican art exhibition organized by the governments of Mexico and France, in which a very carefully selected collection of masterpieces would be presented, beginning with the pre-Cortés era and continuing [...]
    ICAA Record ID: 779866

  • Sermão da Montanha: Fiat Lux (1979)
    Sousa, Eudoro de
    1981
    This is a description of Sermão da Montanha: Fiat Lux, the work by Cildo Meireles that consists of a pile of 160 thousand match boxes. The exhibition was installed at the Centro Cultural Cândido Mendes, in Rio de Janeiro, on April 25, 1979. There [...]
    ICAA Record ID: 1110567