Topic Descriptor: communications×
  • El avance de la historieta popular (I)
    Acevedo, Juan, 1949-
    In this text, Juan Acevedo explains the cartoon methodology as a means of popular communication. He summarizes the system he developed in a number of workshops he gave on the topic, workshops that culminated in November 1979 with the Primer Taller [...]
    ICAA Record ID: 1141902

  • Em Brasil High Tech, o xeque ao pós-modernismo
    Kac, Eduardo
    In this introduction, Eduardo Kac shows that the artists known as “Geração Brasil High-Tech” (including Otávio Donasci, Mario Ramiro, and Paulo Bruscky) represent a type of work that refers back to both Waldemar Cordeiro and Abraham Palatnik. [...]
    ICAA Record ID: 1111320

  • Os processos criativos com os meios eletrônicos
    Tavares, Monica
    In this text, Mônica Tavares addresses the realms of art, techno-science, and communications from an interdisciplinary perspective. On the basis of research into the mechanisms by which electronic images are created, Tavares examines novel [...]
    ICAA Record ID: 1111103

  • A educação artística e as novas perspectivas científicas e pedagógicas
    Maldonado, Tomás, 1913-
    The artist and Professor Tomás Maldonado detects positive qualities in popular design and mass communications, which he considers useful because they are the only means available that can satisfy the aesthetic needs of the people. In his opinion, an [...]
    ICAA Record ID: 1110401

  • La comunicación en las artes nuevas
    Ramos, María Elena, 1947-
    The director of the Museo de Bellas Artes [Museum of Fine Arts] in Caracas, María Elena Ramos, presented a paper at the I Coloquio de Arte No Objetual [First Symposium on Abstract Art] (Medellín, 1981) under the title, “La comunicación en las [...]
    ICAA Record ID: 1098856

  • Everybody's Business
    Fuller, R. Buckminster (Richard Buckminster), 1895-1983
    In this 1972 essay, R. Buckminster Fuller presciently describes a new era of communication systems in which all humanity can learn enough about productivity as well as the generalized principles of nature that render abject poverty, and the have-nots [...]
    ICAA Record ID: 842438

  • La pintura como medio de comunicación
    Traba, Marta
    Marta Traba, an Argentine critic living in Puerto Rico, asserts that painting is a means of communication, a language that attempts to say something. As such, its message must be deciphered in order to be understood and read. She maintains that avant [...]
    ICAA Record ID: 823772

  • Una arquitectura de la información
    Restany, Pierre
    Pierre Restany writes that Lea Lublin’s work Fluvio Subtunal [Sub-Tunnel Flow] (1969) is a systematic work about the structures of psycho-sensorial communication. Restany explains the development of Lublin’s production as a research into visual [...]
    ICAA Record ID: 766884

  • [El fenómeno estético, como cualquier otro fenómeno cultural...]
    Rosa, Nicolás
    [Literary critic and intellectual] Nicolás Rosa presented this text for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Encounter of Avant-garde Art] (Rosario, Argentina, 1968). It appeals to the communications [...]
    ICAA Record ID: 760282

  • [Admiro con temor las grandes esculturas de Badii...]
    Romero Brest, Jorge
    By means o a poetic prose, art critic Jorge Romero Brest states that he fearfully admires the huge sculptures and lovingly cares about the drawings and small sculptures made by Líbero Badii. He analyzes the relationship between art and life, from [...]
    ICAA Record ID: 759435

  • [No es más fácil definir la nacionalidad...]
    Alloway, Lawrence
    This text for the Lawrence Alloway exhibition relates the language of art to the national identity; it analyzes the diversification of distribution channels and, as such, points out the international dissemination of artistic production. Alloway [a [...]
    ICAA Record ID: 757049

  • [La pregunta a esta nueva expresión comunicativa es ¿por qué has cambiado la pintura por la escultura?...]
    Badii, Líbero, 1916-
    Libero Badii explains that his transition from sculpting to painting demonstrated that he was an artist in his prime. According to him, painting could express the communicative meaning of his work. He mentions the "sinister" sense of his artistic [...]
    ICAA Record ID: 754073

  • El poder de la palabra
    Pellegrini, Aldo
    This text reflects on the power of words, keeping in mind that each human being includes a little of himself or herself into the words that he or she uses. Avoiding to discuss the usefulness of language, Aldo Pellegrini raises two points: its [...]
    ICAA Record ID: 745248

  • Encuesta realizada entre pintores argentinos de la nueva generación : [Es un afán de descubrimiento y un afán]
    Ocampo, Miguel, 1922-
    This document relates the response of artist Miguel Ocampo to the survey sponsored by Letra y Línea [Letter and Line], in which he states that research and communication are fundamental to painting. Given that Ocampo considers painting the “desire [...]
    ICAA Record ID: 742130

  • Auto - Advertencia
    Goeritz, Mathias, 1915-1990
    To present this issue of the Art Section dedicated to Las Torres de Ciudad Satélite [The Towers of the Satellite City] Mathias Goeritz wonders if anybody else—aside from some of his friends—has read the editorials of this section published as [...]
    ICAA Record ID: 741793

  • Problemas actuales de la comunicación
    Maldonado, Tomás, 1913-
    This articlediscusses the vital role that communication plays in the work of those who disseminate the signs and symbols that make communication possible. In this review, Tomás Maldonado refers to the range of complexities at work in the process, as [...]
    ICAA Record ID: 730604