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La mejor plástica de una nueva cultura : el afichismo cubano
1970The Argentine critic Damián Bayón went to Cuba in July 1979 to interview Cuban architects Fernando Salinas, Roberto Segre, and Daniel Taboada. While he was in Havana, Bayón noticed that a governmental ban on private commerce had led to an absence [...]ICAA Record ID: 825078 -
Competencia entre la realidad y el arte
1976In this essay, Hernández Rosselot claims that reality competes with art in Antonio Berni’s work. He writes about the materials Berni uses and reviews the collages in the Juanito Laguna and Ramona Montiel series. Rosselot goes on to compare Berni [...]ICAA Record ID: 785336 -
Comunicación masiva al mas alto nivel: la tercera Bienal Americana de Arte
1966This document underscores the mass communication function of the 3rd Latin American Art Biennial, which opened on October 14, 1966, in Córdoba, Argentina. The article refers to Marshall McLuhan’s theories concerning the media, as expressed in his [...]ICAA Record ID: 770553 -
[No quiero, ni pretendo, que estas líneas expliquen los cuadros de Squirru...]
1963Art critic Samuel Paz analyzes the work of Carlos Squirru from the concept of advertising, distant from the way in which it is used for carrying out propaganda. Different from the American artists—who handle advertising embedded in a popular trait [...]ICAA Record ID: 768920 -
Nuevos recursos de la publicidad
1933In this article, Guillermo Luzuriaga acknowledges the importance of photography in the field of advertising. He is convinced of the need to radically change the way commercial products are advertised through intelligently presented photographs. He [...]ICAA Record ID: 759209 -
Tucumán arde sepa por qué
1968This is an announcement of the forthcoming opening of the Tucumán Arde [Tucumán is Burning] exhibition at the headquarters of the CGT (Confederación General del Trabajo de los Argentinos [General Confederation of Labor of the Argentine people]), [...]ICAA Record ID: 750421 -
Artes plásticas
1956Luis Felipe Noé writes that the non-figurative work of Juan Del Prete is sustained by his inquiry into the autonomy of medium, form and color, remaining beyond the limitations of concrete and abstract art. In another section of the text, Noé [...]ICAA Record ID: 738294 -
Rivera vuelve a mentir! : falto de argumentos recurre al insulto procaz
1955Mario Alvarado Rubio provides an overall analysis of the political situation in Guatemala, and goes on to say that Diego Rivera is lying about his mural because the proof that Rivera presents as genuine is, in fact, inconclusive. Alvarado Rubio [...]ICAA Record ID: 735253