Topic Descriptor: installations (visual works)×
  • [Hará un año, vi por la tele un corto publicitario que me gustó mucho...]
    Pombo, Marcelo, 1959-
    The document includes an image that is part of Marcelo Pombo's installation in the collective exhibition La Conquista (Buenos Aires, Centro Cultural Recoleta, March 1992). Organized for the Fifth Centennial of the Discovery of America, it includes a [...]
    ICAA Record ID: 769467

  • La tercera es la vencida : Harte, Pombo, Suárez
    Lebenglik, Fabián
    The article reviews the Harte, Pombo, Suárez III exhibition (Buenos Aires: Fundación Banco Patricios, from November 4–27, 1992). It describes the characteristics of the works presented by each one of the artists—Miguel Harte, Marcelo Pombo, and [...]
    ICAA Record ID: 769281

  • Una cabeza con caparazón. Anotaciones sobre la obra de Vicuña
    Merino, Roberto, 1961-
    Roberto Merino writes about the early career of Juan Pablo Langlois Vicuña, discussing the artist’s background in terms of both his embrace of art and his works. Following his professional training as an architect, Langlois Vicuña [...]
    ICAA Record ID: 756912

  • La incomodidad de una década
    Jarpa, Voluspa, 1971-
    Voluspa Jarpa looks back at her art career in this review of her works and exhibitions. Over the course of a decade, she constructed seven “images” that identify particular exhibitions and the subjects she addressed in her artworks. Her & [...]
    ICAA Record ID: 756150

  • Quadrivium: para la reforma del entendimiento
    Madrid, Alberto, 1955-
    In his review of Quadrivium, the installation by Gonzalo Díaz, Alberto Madrid claims that it consists of didactic sheets that can be interpreted as a display of different “lessons about things.” The project, which was dedicated to [...]
    ICAA Record ID: 750181

  • Recovering histories : considerations on the practices of twelve artists = Historias recuperadas : reflexiones sobre la trayectoria de doce artistas
    Herzberg, Julia P.
    This exhibition essay by Julia P. Herzberg discusses twelve Chilean artists working in experimental and avant-garde modalities (from the late 1970s to early 1990s). These artists are lesser known outside Chile because they stayed in the country [...]
    ICAA Record ID: 748926

  • Historias de recolección : bricolage, archivo y biblioteca
    Madrid, Alberto, 1955-
    This essay, “Historias de recolección: bricolage, archivo y biblioteca” [Collection Stories: Bricolage, Archive, and Library], was written by Alberto Madrid on the occasion of the exhibition Chile 100 años de artes visuales [ [...]
    ICAA Record ID: 745864

  • Historias de anticipación
    Mellado, Justo Pastor, 1949-
    As part of his curatorial plan for the exhibition 1973–2000: Transferencia y densidad (1973–2000: Transfer and Density), Justo Pastor Mellado proposes that museums should reinstate works that, though ignored by the critical discourse of [...]
    ICAA Record ID: 745708

  • Arte en Chile de veinte, treinta años
    Oyarzún Robles, Pablo, 1950-
    In this article Pablo Oyarzún provides a critical review of the art produced over the course of three decades. He notes the lack of a tradition that could bear witness to and interpret art production in Chile. From the early twentieth century& [...]
    ICAA Record ID: 745095

  • Sobre Virginia Errázuriz : pequeña poética de sus instalaciones
    Oyarzún Robles, Pablo, 1950-
    Pablo Oyarzún’s short essay “Virginia Errázuriz. Pequeña poética de sus instalaciones” (Virginia Errázuriz. A Brief Poetics of her Installations) was inspired by the installation of Errá [...]
    ICAA Record ID: 744954

  • Un cenotafio
    Oyarzún Robles, Pablo, 1950-
    This is the essayist Pablo Oyarzún’s review of Francisco Brugnoli’s installation Cadáver exquisito (Exquisite Corpse), a reference to the game played by early Surrealists in the 1920s, Le cadavre exquis boira le vin nouveau [...]
    ICAA Record ID: 744945

  • Historias de transferencia y densidad en el campo plástico chileno (1973-2000)
    Mellado, Justo Pastor, 1949-
    The theorist Justo Pastor Mellado outlines his curatorial approach for the exhibition 1973–2000: Transferencia y densidad. He begins by defining concepts such as “curator,” discussing the term’s evolution in Chile and its [...]
    ICAA Record ID: 740449

  • fantasmas pretéritos (preterite ghosts)
    Christ, Ronald J.
    Ronald Christ writes about Catalina Parra’s exhibition Imbunches and mentions a childhood anecdote that evokes the work. He explains that the artist explores different forms of silencing, and her work therefore defies interpretation. The author [...]
    ICAA Record ID: 740245

  • Juan Downey : el dibujo como paradoja
    Sabbatino, Mary
    Mary Sabbatino discusses Juan Downey’s work in depth, paying particular attention to the connection between his drawings and his videos. According to Sabbatino, drawing formed the basis of Downey’s methodology. She notes that he was [...]
    ICAA Record ID: 739194

  • La dieta de los artefactos
    Rojas, Sergio, 1960-
    This article appeared in Lecciones de cosas. 7 textos postfacio, the catalogue about Quadrivium ad usum Delphini (1998), the installation by Gonzalo Díaz. Drawing on his schooling and experience as a philosopher, Sergio Rojas ponders the [...]
    ICAA Record ID: 735507

  • Estética de la sed Lonquén 10 años, diez años después
    Oyarzún Robles, Pablo, 1950-
    In this essay Pablo Oyarzún, an authority on philosophical matters, discusses Lonquén 10 años (Lonquén 10 Years), the installation by the Chilean artist Gonzalo Díaz, keeping in mind the procedures, relationships, [...]
    ICAA Record ID: 734853