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The Mexican Who Came to Motor City
1986In this article, the Chicano artist and poet Koyokuikatl (Carlos Cortez) considers the revolutionary spirit of Diego Rivera’s art on the occasion of an exhibition at the Detroit Institute of Art celebrating the centennial of Rivera’s birth (1886- [...]ICAA Record ID: 840599 -
Las escuelas nocturnas
1933The article describes the artistic production achieved in these institutions, the evening schools, which received great support during the final years of the Maximato (1928-1934) and the Lázaro Cárdenas administration (1934-1940). It mainly [...]ICAA Record ID: 773398 -
Las Bellas Artes intensamente fomentadas
1923This article analyzes artistic education as a fundamental aspect of the work developed within the Secretaría de Educación Pública [SEP, Ministry of Public Education], with special emphasis on educational programs destined for the working class. It [...]ICAA Record ID: 771668 -
Concurso permanente de dibujos proletarios
1925Inspired by the native talent of Mexican workers and peasants and their love of the visual arts, El Machete invited these two segments of their audience to be the sole participants in an ongoing drawing contest. The Sindicato de Pintores y Escultores [...]ICAA Record ID: 764161 -
Si los trabajadores no ponen el remedio, seguirán despilfarrando los diputados seis millones de pesos al año, en automóviles, en gasolina, en coñac, en prostitutas y en tiros disparados al aire
1924The author appeals to workers and peasants so that they may learn to carefully elect their representatives to the Lower House, and eliminate the thieves and lawmakers bon vivants who squander for their own benefit six and a half million pesos of [...]ICAA Record ID: 764057 -
La Trinidad de los sinvergüenzas : Prólogo de la farsa titulada: La caída de los ricos y la construcción del nuevo orden social
1924This farce was written in verse and consists of a prologue and four parts. The action takes place in Mexico City. On a throne of clouds rests a trinity: a Mexican politician, “the father devil;” a European capitalist, “the grateful son;” and [...]ICAA Record ID: 764016