Topic Descriptor: Art Informel×
  • Sobre el arte informal
    Romero Brest, Jorge
    1961
    Jorge Romero Brest points out the characteristics of Informalist artand its several branches. According to him, Informalismis an artistic mode that breaks with modern art in its attempt to capture reality; this is why it is considered a realist art. [...]
    ICAA Record ID: 741399

  • Una auténtica actitud informalista
    Squirru, Rafael, 1925-
    1961
    Rafael Squirru, art critic and diplomat, discusses the term informalismo, citing the concepts of form in Scholasticism and in either idealist or Eastern philosophy. Squirru defines art as a sensory manifestation of the innermost states of conscience [...]
    ICAA Record ID: 741390

  • Falso y posible informalismo
    Azcoaga, Enrique
    1961
    Enrique Azcoaga, a Spanish art critic, discusses the term informalismo. He defines that the quality of this type of painting is determined by its expressive power and its capacity to suggest an elevated sense of perception. Azcoaga carefully [...]
    ICAA Record ID: 741376

  • [Esta muestra tiene características de exposición retrospectiva...]
    Kemble, Kenneth, 1923-
    1960
    Kenneth Kemble presents the works he created since 1956. He explains the collage from his point of view. arguing that the search for experimentation with application of new materials is fundamental in the new visual arts. Unlike the surrealist [...]
    ICAA Record ID: 741334

  • A panorama of Argentine art
    Kemble, Kenneth, 1923-
    1963
    Kenneth Kemble praises the exhibitions of three artists: Pablo Curatella Manes, Carlos Squirru, and Kazuya Sakai, all from quite dissimilar generations, different racial origins and artistic influences. These differences make it possible to sketch a [...]
    ICAA Record ID: 741288

  • A fearful game of head hunting
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble is caustic in his article about the group exhibition involving Otra Figuración[Other Figuration] carried out by the Galería Peuser. Ironically, he proposes a game of counting heads amongst the paint spills, adding that children [...]
    ICAA Record ID: 741060

  • So dull, yet so sucessfull
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble writes about the exhibition of Catalonian artist Antoni Tàpies at the Museo Nacional de Bellas Artes [National Museum of Fine Arts], organized by the Instituto Di Tella. The success of his oeuvre does not move Kemble; none of it [...]
    ICAA Record ID: 741044

  • Good taste but not really great art
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble writes about the collective art exhibition at Galería Bonino (Buenos Aires) by artists Martha Peluffo, Jorge de la Vega, Juan C. Badaracco, and Rómulo Macció. He introduces them as the new academy of good taste, [...]
    ICAA Record ID: 740941

  • It's a woman's week in art
    Kemble, Kenneth, 1923-
    1961
    Kenneth Kemble writes about the exhibitions taking place in several galleries. By observing the works of five female artists, he is able to analyze the variables in Argentinean art at that moment. Based on a formal analysis of this production, he [...]
    ICAA Record ID: 740918

  • Why the Prize Show Was Disappointing
    Kemble, Kenneth, 1923-
    1960
    Kenneth Kemble writes that the Palanza Award was a disappointment because those who were invited to participate, the great majority of them, showed works of a lesser quality; also, he believes that a shift in the public’s aesthetic taste has taken [...]
    ICAA Record ID: 740838

  • [Este 1959 ha tenido sin duda muy especial significación...]
    Noé, Luis Felipe
    1959
    Luis Felipe Noé states that the work of Fernando Maza is connected to the rise of a vital artistic trens, and that it implies a maturing of expression in the visual arts of Argentina. In his opinion, Maza[both connects himself to and differentiates [...]
    ICAA Record ID: 740649

  • La pintura de López Anaya
    Noé, Luis Felipe
    1960
    Luis Felipe Noé wrote on the difficulty of an artist understanding the work of another painter, which, in his opinion, required a relinquishing act. Noé’s interpretation of the works of Jorge López Anaya, seen within an Informalist trend context [...]
    ICAA Record ID: 740635

  • Artes plásticas
    Noé, Luis Felipe
    1956
    Luis Felipe Noé highlights the work of architect Clorindo Testa: his conception of movement in space as well as his existential affirmation.  On the other hand, he points out Gertrudis Chale’s preoccupation with the existence of man in the Andean [...]
    ICAA Record ID: 739941