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[A cultura artística brasileira em geral...]
1984This is the catalogue for Nipo brasileiros. Mestres e alunos em 50 anos, the exhibition held at the Pinacoteca do Estado de São Paulo (São Paulo, 1984). It includes an essay by Maria Cecília França Lourenço, the art historian and curator of the [...]ICAA Record ID: 1110648 -
[Ata da primeira reunião do]
1935This text is the minutes of the first meeting of the Grupo Seibi (1935). It presents the deliberations that took place in a meeting that stated the following objectives for the group: (1) Encourage ties among the members; (2) Hold a monthly meeting [...]ICAA Record ID: 1110650 -
A colônia japonesa e as artes
1967This was a lecture by the art historian and critic Walter Zanini about the arts activities of the Japanese community in Brazil, particularly in the cities of São Paulo and Rio de Janeiro. Although this study is focused on the art world after World [...]ICAA Record ID: 1111409 -
Album del extremo oriente : A Hyoshio Furukava
1900In 1900, Revista Moderna [Modern Magazine]— the bastion of modernismo in the Spanish-speaking world—published two important essays by José Juan Tablada on Japanese art, both of which positioned him as a prominent authority on that subject. The [...]ICAA Record ID: 778175 -
Álbum del extremo oriente : Los pintores japoneses
1900This article, published in Revista Moderna [Modern Magazine]?which contributed to the rise of modern art criticism (in particular of the kind inspired by Charles Baudelaire and by the French parameters)?sketches a brief history of Japanese painting. [...]ICAA Record ID: 778184 -
Depoimento: Tomoo Handa
1982In this article, the Japanese painter and writer Tomoo Handa talks to Maria Cecília França Lourenço about the Grupo Seibi, a group of Japanese-Brazilian artists living in São Paulo, which was started in 1935. Handa, who was a member of the group [...]ICAA Record ID: 1110643 -
Grupo Seibi
1964This text was featured in the catalogue for 8º Salão de Artes Plásticas that was organized by the Grupo Seibi in 1964. It recounts the history of the group of artists from the Japanese community in the state of São Paulo, a group created in 1935 [...]ICAA Record ID: 1110646 -
La pintura de Tamiji Kita-Gawa
1930Carlos Mérida comments that the mere imitation of the motifs of popular art, constantly repeated in the artistic production, may lead to the creation of “standard” painters, without any purpose, since the production of the popular artists will [...]ICAA Record ID: 736776