Name Descriptor: González, Carlos×
  • 1er Salón Independiente de Artes Plásticas
    Ateneo de Montevideo
    1937
    There are basically three sections in the catalogue for the Primer Salón Independiente de Artes Plásticas: (1) Statement of principles; (2) List of participating artists; and (3) The text of the tribute to the painter Milo Beretta, mentor to young [...]
    ICAA Record ID: 1186701

  • Carlos González o la fundación del grabado uruguayo
    Kalenberg, Angel
    1980
    Uruguayan critic Ángel Kalenberg praises the woodcuts of Uruguayan artist Carlos González. He asserts that González is to South America what José Guadalupe Posada was to Mexico, mainly, a pioneer in the realm of art. His pivotal series of prints [...]
    ICAA Record ID: 806129

  • El grabador Carlos González : expresión realista del campo uruguayo
    Novoa, Felipe, 1909-1989
    1944
    The writer Felipe Nóvoa discusses Carlos González’s body of work at the end of the latter’s artistic career, during which this distinguished printmaker-woodcut printer created some very unusual works from 1934 to 1944, when he stopped producing [...]
    ICAA Record ID: 1223870

  • Entrevista a Luis Mazzey
    Club de Grabado de Montevideo
    1981
    The artist Luis Mazzey, a member of the Club de Grabado de Montevideo, where he was also an instructor, was interviewed a few days after his 86th birthday. He provides an overview of his career and his ideas concerning the artistic nature of [...]
    ICAA Record ID: 1186991

  • Teatro experimental en México : “el Murciélago”
    Magaña-Esquivel, Antonio
    1938
    This is a brief overview of how the Russian modality of synthetic theatre was transplanted to the Mexican scene after passing through New York, thus becoming a fusion of colorful traditions with the avant-garde spirit. Magaña Esquivel underlines the [...]
    ICAA Record ID: 737752

  • VIII Salón Nacional de Bellas Artes
    Vitureira, Cipriano S. (Cipriano Santiago), 1907-
    1944
    This essay praises the uniform quality of the work presented during the eighth Salón Nacional de Bellas Artes of 1944 in Uruguay. It also analyzes the grand prize awarded in that annual exhibition to Joaquín Torres García for painting, as well as [...]
    ICAA Record ID: 1211227