Documents of Latin American and Latino Art

The critic and curator Tahía Rivero outlines the objectives of the II Bienal Camille Pissarro, which was held at the Centro Cultural Consolidado in Caracas in 1994. As Rivero says, the biennial was unquestionably “a far-reaching, innovative event [...]

In this text, Ariel Jiménez builds a framework of evidence and circumstances that describe the universal sentiments of the 1990s. In his opinion, that decade can basically be characterized by the prevailing fear and uncertainty that were not just [...]