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[Letter] 1981, Julio 21, São Paulo, Brasil [to] Clemente Padín
1981This is the Brazilian art critic and curator Walter Zanini’s official invitation to Clemente Padín, asking him to take part in the XVI Bienal Internacional de São Paulo, in 1981. The document created a “diplomatic” incident that was solved [...]ICAA Record ID: 1242138 -
Arte de Acción en Latinoamérica : cuerpo político y estrategias de resistencia
2010In this essay, critic and performer Silvio de Gracia explains the importance of and provides context for “action art” in Latin America. He demonstrates its specificity in the region, showing how it differs from similar tendencies in Europe and [...]ICAA Record ID: 1240673 -
Arte-correo una nueva forma de expresión
1976Published in the first issue of Buzón de Arte/Arte de Buzón (Caracas, January, 1976), in this article, Argentinean artists Edgardo Antonio Vigo and Horacio Zabala analyze the interaction that exists between two traditionally different systems of [...]ICAA Record ID: 1154763 -
Buscando la identidad : encuentro latinoamericano de artes plasticas
1990In this essay, various aspects of the II Encontro Latino-americano de Artes Plásticas [Second Latin American Meeting of the Visual Arts] held in Porto Alegre, Brazil, are summarized, emphasizing the performing artistic practices and the need to [...]ICAA Record ID: 1242413 -
Clemente Padín : el artista está al servicio de la comunidad
1976In this article, published in the magazine Buzón de Arte/Arte de Buzón nº 1 (Caracas, January 1976), the Uruguayan artist Clemente Padín describes his work/action project, “El artista está al servicio de la comunidad,” which could be seen at [...]ICAA Record ID: 1154731 -
El arte correo en el Uruguay
1985Mail Art was started in the United States in the 1960s and quickly caught on in the rest of the world. Clemente Padín—the author of this article and one of the artists who worked in this style among many others (he was a performer, poet, and was [...]ICAA Record ID: 1191850 -
La nueva poesía y las redes alternativas : entrevista a Clemente Padín
2010The art critics Fernando Davis and Fernanda Nogueira interview the Uruguayan artist Clemente Padín. The conversation focuses mainly on the artist’s literary work, especially his visual poetry which launched a literary and aesthetic revolutionary [...]ICAA Record ID: 1240658 -
Los desaparecidos no son líneas de omnibus
2010In this text, artist and essayist Francisco Tomsich interviews Clemente Padín about his artistic career and the performance he did at the Boxing Club de Barrio Sur in Montevideo in 1987 in which he condemned the forced disappearance of individuals [...]ICAA Record ID: 1240643 -
Los hachepientos del '68
1996This article is about the group, led by Clemente Padín, which created the magazine Los Huevos del Plata, a departure from the literary style that was favored in Uruguayan cultural circles in the 1960s. The Uruguayan author’s goal was to present [...]ICAA Record ID: 1240628 -
Se nos despertó el indio : Bienal municipal : segunda parte
1992This is a critical review of the I Bienal de Artes Plásticas that was held at the Subte Municipal de Montevideo, an exhibition space in the capital city of Uruguay, in 1992. The author explicitly acknowledges Clemente Padín for his presentation of [...]ICAA Record ID: 1242113 -
Un memorial para América Latina : Clemente Padín en E.E.U.U.
1990This essay is about an invitation that was extended to Clemente Padín by the Yellow Springs Institute (USA) to perform at the gathering of Latin American artists held in October of 1989, resulting from information on the event. The artist, in an [...]ICAA Record ID: 1242169