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Arte y política
1968This prescient op-ed takes the events at the 1968 Braque Prize (sponsored by the French embassy in Argentina) as a starting point and uses them to arrive at the conclusion that the finest artwork was the “uproar” that occurred due to the [...]ICAA Record ID: 766289 -
Se entregaron los premios Georges Braque y hubo algunas manifestaciones de protesta y detenciones
1968This article reports on the awards ceremony for the 1968 Braque Prize (sponsored by the French embassy in Argentina). It was interrupted by the actions of “a group of painters and poets” that were members of the Frente Antiimperialista de [...]ICAA Record ID: 761509 -
Los últimos esperanzados
1986This article is an interview with artist Pablo Suárez in which he is questioned regarding his actions within the Argentinean artistic scene of the 1960s. Among the diverse events he relates, he mentions the realization of the happening called [...]ICAA Record ID: 760965 -
Eduardo Ruano expone en el Instituto Di Tella a la Institución Torcuato Di Tella
1968Eduardo Ruano’s leaflet denounces the “cultural machine,” identifies a number of recent acts of censorship at different official art institutions (the Museo Nacional de Bellas Artes, the Museo de Arte Moderno de Buenos Aires), and denounces the [...]ICAA Record ID: 751352 -
[Letter] 1982 Junio 1, São Paulo [to] Ricardo [Carreira]
1982León Ferrari talks about traveling from São Paulo to Buenos Aires to find out what had happened to his son, who had disappeared. This was also the occasion of his first contact with the Mothers of the Plaza de Mayo. Ferrari mentions the artists he [...]ICAA Record ID: 749356 -
[Letter] 1968 marzo 15, Castelar [to] Leopoldo [Maler]
1968León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the staging, the visual elements, the [...]ICAA Record ID: 749148