Name Descriptor: Gómez Campuzano, Ricardo, 1891-1981×
  • Al margen de una exposición de pintura
    Arciniegas, Germán, 1900- 1999
    1929
    On the premise that “national art has yet to come into being,” Germán Arciniegas levels harsh criticism at the works by Colombian artists Francisco Antonio Cano, Ricardo Gómez Campuzano, and Domingo Moreno Otero included in an exhibition held [...]
    ICAA Record ID: 1079409

  • Desde España
    Pizano, Roberto, 1896- 1929
    1922
    In the opinion of the artist and art critic, Roberto Pizano, the trip undertaken by the artists, Ricardo Gómez Campuzano and Domingo Moreno Otero, to Spain was an opportunity to take advantage of the Spanish art culture. However, Pizano thinks they [...]
    ICAA Record ID: 1099006

  • El año artístico
    Samper Ortega, Daniel, 1895-1943
    1929
    In this text, Daniel Samper Ortega critically discusses certain events that took place on the Colombian art scene in 1929. First, he bemoans the death of artist Roberto Pizano, an important figure on the Colombian art scene, largely due to his work [...]
    ICAA Record ID: 1129862

  • En el salón de pintura
    1919
    The article “En el Salón de Pintura” [At the Painting Salon] (1919)—published (anonymously) in the magazine El Gráfico—advocates a conversation to review the exhibition organized by the Escuela Nacional de Bellas Artes [National School of [...]
    ICAA Record ID: 1098257

  • Gómez Campuzano : setenta años 'pinte que repinte…' todos los días!
    Valencia Diago, Gloria, 1927-
    1981
    In an interview with Gloria Valencia Diago of the daily newspaper El Tiempo, Ricardo Gómez Campuzano talked about various matters related to his life as a painter. He spoke about his art training at the Escuela Nacional de Bellas Artes in Colombia [...]
    ICAA Record ID: 1130292

  • La Escuela de Bellas Artes
    Castillo, Eduardo, 1889- 1938
    1933
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1100996

  • La Escuela de Bellas Artes y la Exposición Nacional de Pintura
    Grillo, Max, 1868-
    1918
    In this text, art critic Maximiliano (Max) Grillo discusses the importance and the history of the Escuela de Bellas Artes [Fine Arts School], an institution severely diminished due to indifference and neglect on the part of the government. Since both [...]
    ICAA Record ID: 1098014

  • La exposición Gómez Campuzano
    Gómez, Laureano, 1889-1965
    1926
    This article was written by “Eleuterio de Castro,” the pseudonym of the Colombian conservative politician who later became president of Colombia, Laureano Gómez Castro (1950?53) about an exhibition of painting by Ricardo Gómez Campuzano. The [...]
    ICAA Record ID: 1185065

  • Lienzos de Gómez Campuzano
    Caballero Escovar, Enrique
    This text by Colombian writer Enrique Caballero Escovar is a critical review of Ricardo Gómez Campuzano’s pictorial work. In it, Caballero Escovar expresses his admiration for the landscapes by this artist from Bogotá, especially those depicting [...]
    ICAA Record ID: 1130534

  • Meditaciones sobre el Salón de Artistas
    Suárez, Roberto
    1931
    The Colombian art critic Roberto Suárez begins his essay by stating that modern civilization is in a “twilight” period. He criticizes the rapid artistic, social, and technical changes of the modern era, and describes Futurism, Cubism, and [...]
    ICAA Record ID: 1094252

  • Pintura Mural en América : Síntesis de la conferencia, publicada en "El País"
    Berni, Antonio, 1905-1981
    1943
    The Argentinean visual artist Antonio Berni frequently visited the city of Montevideo from 1938, producing various exhibitions; in this article, he expressed his social and political vision of mural art, attributing it with a “constructive” [...]
    ICAA Record ID: 1217622

  • Ricardo Gómez Campuzano
    Engel, Walter, 1908-2005
    This brief review of an exhibition of work by Ricardo Gómez Campuzano at the Museo Nacional in Bogotá by the art critic who came from Austria, Walter Engel (signs “W.E.”), analyzes two characteristics of the artwork. First, it points out the [...]
    ICAA Record ID: 1134257