Documents of Latin American and Latino Art

The art critic for the New York Times, Holland Cotter, introduces the artist Beatriz González—who is also an art critic—as an artist who defies the conventions imposed by the North American and European art markets and sets her own rules as [...]

This document is excerpted from the catalogue for Los que son [Those Who Are], the exhibition organized by Marta Traba at the Galería Marta Traba in Bogotá (May 3–16, 1968). The catalogue includes ten brief critical and biographical reviews of [...]

This article provides a chronological and critical review of the work of Beatriz González from the early 1960s through the end of the 1980s. In the introduction, Carolina Ponce de León discusses the artist’s personality and her origins in [...]

This article is structured around the curatorial criteria employed by Carolina Ponce de León— curator of Colombian artist Beatriz González’s first solo exhibition in New York—specifically the way she divides González’s work from 1965 to [...]

As its title suggests, this article consists of notes by Beatriz González on her work as an artist, specifically the different stages of her production, as well as the processes, questions, and decisions that her work has entailed. She discusses the [...]