Name Descriptor: Nogueira Lima, Mauricio, 1930-1999×
  • 10. Salão Paulista de Arte Moderna
    Galeria Prestes Maia São Paulo
    1961
    The country was awash in optimism that year, when Brasília was officially declared the new capital city. The tenth edition of the salão paulista de arte moderna was held at the Galería Prestes Maia, organized on this occasion by [...]
    ICAA Record ID: 1334818

  • 8. Salão Paulista de Arte Moderna
    Galeria Prestes Maia São Paulo
    1959
    The flier for the eighth edition of the salão paulista de arte moderna has been redesigned and relies mainly on lowercase letters, double-page spreads, and a simple cover design. Willys de Castro is a member of the jury responsible for the [...]
    ICAA Record ID: 1334788

  • Concretos de São Paulo no MAM do Rio
    Gullar, Ferreira, 1930-
    In this essay, Ferreira Gullar critiques the exhibition of works by São Paulo Concrete artists at the MAM-RJ (Museu de Arte Moderna de Rio de Janeiro, 1957). He also critiques Waldemar Cordeiro’s introductory essay and its assertion that [...]
    ICAA Record ID: 1315102

  • Galeria de arte da folha : prêmio leirner de arte contemporânea
    Galeria de Arte da Folha (São Paulo, Brasil)
    1960
    This flier—produced by the Galeria de Arte das Folhas for the Prêmio Leirner de Arte Contemporânea, 1960—names most of the members of the Concrete art Grupo Ruptura (with the exception of Judith Lauand). They are introduced by [...]
    ICAA Record ID: 1316812

  • I - O Grupo de São Paulo : I Exposição Nacional de Arte Concreta
    Gullar, Ferreira, 1930-
    1957
    When he wrote this text, the Brazilian journalist and critic Ferreira Gullar was highly positive about the participation of the artists (painters and poets) in the Iª Exposição Nacional de Arte Concreta. In the article, the writer presents a [...]
    ICAA Record ID: 1087166

  • Paulistas e cariocas
    Pedrosa, Mário
    1957
    In this article Mário Pedrosa discusses the differences between the São Paulo and the Rio de Janeiro versions of concrete art. In his (rather Manichaeisticly oversimplified) view, the former are a more theoretical, rigid response to the dogmatic [...]
    ICAA Record ID: 1085056