Name Descriptor: Sacilotto, Luiz, 1924-2003×
  • 10. Salão Paulista de Arte Moderna
    Galeria Prestes Maia São Paulo
    1961
    The country was awash in optimism that year, when Brasília was officially declared the new capital city. The tenth edition of the salão paulista de arte moderna was held at the Galería Prestes Maia, organized on this occasion by [...]
    ICAA Record ID: 1334818

  • Concretismo / Neoconcretismo : quem é, quem não é, quem aderiu, quem precedeu, quem tangenciou, quem permaneceu, saiu, voltou, o concretismo existiu?
    Morais, Frederico, 1936-
    1977
    Frederico Morais uses an extremely long title to provide a précis of his essay. But it only complicates the simplified narratives of a movement—whose embrace of doctrinaire Constructivism was followed by a critical rift between Concrete [...]
    ICAA Record ID: 1315134

  • Concretistas na Galeria das "folhas"
    1959
    This brief, anonymous article, published on January 25, 1959, in the Brazilian newspaper Folha de São Paulo, notes that the Galeria de Arte das Folhas closed out 1958 with a group exhibition of Concrete art. The article names the six [...]
    ICAA Record ID: 1232732

  • Galeria de arte da folha : prêmio leirner de arte contemporânea
    Galeria de Arte da Folha (São Paulo, Brasil)
    1960
    This flier—produced by the Galeria de Arte das Folhas for the Prêmio Leirner de Arte Contemporânea, 1960—names most of the members of the Concrete art Grupo Ruptura (with the exception of Judith Lauand). They are introduced by [...]
    ICAA Record ID: 1316812

  • I - O Grupo de São Paulo : I Exposição Nacional de Arte Concreta
    Gullar, Ferreira, 1930-
    1957
    When he wrote this text, the Brazilian journalist and critic Ferreira Gullar was highly positive about the participation of the artists (painters and poets) in the Iª Exposição Nacional de Arte Concreta. In the article, the writer presents a [...]
    ICAA Record ID: 1087166

  • IV Bienal do Museu de Arte Moderna
    Museu de Arte Moderna de São Paulo
    1957
    The first Bienal Internacional de São Paulo at the Museu de Arte Moderna en São Paulo (MAM-SP) was presented in 1951; it was a groundbreaking event outside of Europe, attracting the sort of attention usually reserved for the Venice [...]
    ICAA Record ID: 1232311

  • Luiz Sacilotto, Nosso artista em Zurich
    Sacramento, Enock, 1937-
    1968
    This newspaper article, dated November 1968, chronicles the interview in which Enock Sacramento asked the Concrete artist Luís Sacilotto about the recent opening of an exhibition of his works at the Salon de Arte Contemporânea de Santo [...]
    ICAA Record ID: 1233137

  • Paulistas e cariocas
    Pedrosa, Mário
    1957
    In this article Mário Pedrosa discusses the differences between the São Paulo and the Rio de Janeiro versions of concrete art. In his (rather Manichaeisticly oversimplified) view, the former are a more theoretical, rigid response to the dogmatic [...]
    ICAA Record ID: 1085056

  • Ruptura
    Charoux, Lothar
    1952
    This manifesto stated that figuration had run its course and exhausted its historic function, and claimed that there was therefore no longer any continuity between past and present. Those who signed the document thus repudiated any type of figurative [...]
    ICAA Record ID: 771349

  • Ruptura
    Charoux, Lothar; Cordeiro, Waldemar, 1925-1973; Barros, Geraldo de; Haar, Leopold; Féjer, Kazmer, 1923-1989; Wladyslaw, Anatol; Sacilotto, Luiz, 1924-2003
    1952
    This is a copy of the original manuscript of the Manifiesto ruptura (Rupture Manifesto) that was signed in 1952 by Waldemar Cordeiro, Geraldo de Barros, Lothar Charoux, Leopoldo Haar, Kazimir Fejer, Anatol Wladislaw, and Luís Sacilotto. The [...]
    ICAA Record ID: 1232213

  • Sacilotto, poeta da economia moderna
    Cordeiro, Waldemar, 1925-1973
    1952
    This text discusses the artistic career of Luiz Sacilotto, beginning with his Expressionist works from the first years following World War II through his participation as a concrete artist in the XXVI Venice biennial in 1952. He is considered one of [...]
    ICAA Record ID: 1085382

  • Sacilotto: expressões e concreções
    Pignatari, Décio
    1980
    This text presents the Luiz Sacilotto retrospective held at the MAM-SP (Museu de Arte Moderna de São Paulo) in 1980. Décio Pignatari, a concrete poet, theoretician of semiotics, and art critic, calls his readers’ attention to those prototypical [...]
    ICAA Record ID: 1087263