Name Descriptor: Ocampo, Miguel, 1922-×
  • [El Grupo de artistas modernos de la Argentina, recientemente constituído...]
    1953
    This article reviews the first exhibition of the Grupo de Artistas Modernos [Modern Artists Group] of Argentina, presented at Galería Viau and featuring works by independent artists Sarah Grilo, Hans Aebi, Miguel Ocampo, and Fernández Muro, as well [...]
    ICAA Record ID: 742369

  • [Los cinco pintores que me honro en presentar...]
    Romero Brest, Jorge
    1960
    Jorge Romero Brest begins his text with theoretical definitions about art’s meaning, perceived as an entity that has its own being. In his opinion, the artist becomes a trigger for an expression that is always being, in addition to the experience [...]
    ICAA Record ID: 762815

  • [Um grupo de jovens pintores e escultores argentinos]
    Romero Brest, Jorge
    1953
    This document is the forewod to the Grupo de Artistas Modernos Argentinos [Modern Artists Group of Argentina] exhibition that presented works by the concrete artists Tomás Maldonado, Alfredo Hlito, Enio Iommi, Claudio Girola, Lidy Prati, as well as [...]
    ICAA Record ID: 743236

  • Abstractos en Viau
    Plá, Roger
    1952
    This critical text analyzes the exhibit Grupo de Artistas Modernos de la Argentina. Paintings, sculpture, and drawings by the group were presented at Galería Viau in June 1952. Roger Pla raises objections regarding the proposals of the concrete [...]
    ICAA Record ID: 742504

  • Argentina
    1954
    The document is in reference to the presentation of the Argentinean delegation organized by the Subsecretaría de Difusión del Ministerio de Relaciones Exteriores de la República Argentina [Undersecretary for Dissemination of the Ministry of [...]
    ICAA Record ID: 743249

  • Arte Nuevo de la Argentina = New Art of Argentina
    Instituto Torcuato Di Tella
    1964
    This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]
    ICAA Record ID: 753895

  • Artes plásticas : arte americano y arte europeo
    Brughetti, Romualdo
    1958
    Romualdo Brughetti writes about artists who abide by visible and formal American constants and others who are defined by a formalism that originated in modern Europe. The article is about a question that came to light during the Peruvian artist Julia [...]
    ICAA Record ID: 766513

  • Foreword
    Van der Marck, Jan; Foley, Suzanne
    1964
    The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]
    ICAA Record ID: 768152

  • Inleiding
    Romero Brest, Jorge
    1953
    In this document Jorge Romero Brest introduces the exhibition Grupo de Artistas Modernos Argentinos [Modern Artists Group of Argentina] at the Stedelijk Museum of Ámsterdam. The exhibition presented works by the Concrete artists Tomás Maldonado, [...]
    ICAA Record ID: 743099

  • Introduction
    Messer, Thomas M.
    1966
    In this text, Thomas Messer explains the logic behind how he selected the works for his exhibition The Emergent Decade: Latin American Painters and Painting in the 1960s. He also considers the questions that the exhibition raises about how [...]
    ICAA Record ID: 1061823

  • Pintura : a propósito del grupo de pintores modernos, Aebi, Hlito, Maldonado, Ocampo, Grilo, Fernández Muro
    Squirru, Rafael, 1925-
    1952
    In this text, the Argentine critic, Rafael Squirru, analyzes the exhibition, Grupo de Artistas Modernos de la Argentina. Pinturas, esculturas, dibujos [Modern Art Group of Argentina. Paintings, Sculptures, Drawings], held at the Galería Viau in June [...]
    ICAA Record ID: 742544

  • Punto de vista crítico
    Romero Brest, Jorge
    1953
    Using the Grupo de Artistas Modernos de la Argentina exhibition held at Galería Krayd in 1953 as a starting point, Jorge Romero Brest writes a critical text explaining his motives for supporting Concrete art. He proposes—in a prophetic tone—that [...]
    ICAA Record ID: 742528