Documents of Latin American and Latino Art

In this essay, the art critic Alicia Haber analyzed the 1995 exhibition Bye Bye Yaugurú by Nelbia Romero at the Centro Municipal de Exposiciones, Subte de Montevideo. The exhibition linked the conceptual aspects of the artistic ideas and concerns of [...]

Artist Nelbia Romero wrote this document on her exhibition project Bye, Bye, Yaugurú, curated by critic Alicia Haber. Written on a loose page, the text explains the aims of an exhibition that set out to reaffirm the need to engage the cultural [...]

In this text, Alicia Haber analyzes how a large and complex installation by Nelbia Romero shows the toponymic-linguistic legacy of Guarani culture in a country as European as Uruguay. From the mid-eighties to the mid-nineties, there was a social [...]

In this essay, Annateresa Fabris addresses the issue of identity and its connections to the visual arts in Latin America. She refers to the concept of a “sense of place” in the development of the symbolic system that posits the idea of a “ [...]