Documents of Latin American and Latino Art

In this text, Luis Felipe Noé explains his theory that the shared impulse that defines Latin American painting is its preoccupation with “inventing history.” He argues that this impulse is a direct result of Latin American artists’ experience [...]

Curator and art critic Élida Román divides her presentation into two parts. She first tries to define not only the objective of art criticism but also to identify the craft and reach of art critics.  Román then presents a diagnosis on the [...]

This essay by Alberto Madrid is on the exhibition Fotografía: intervenciones, cruces y desvíos. His play of words “field of reference out of field” emerged in the essay questioning the bibliographic references with which [...]

Miscellaneous articles and references to art in Chile during the Pinochet dictatorship (1973–89). The publication provides quotes from multiple sources, including members of the Chilean art world at the time and their theoretical-literary [...]