Documents of Latin American and Latino Art

The text contains records of the artists connected to the Centro de Arte y Comunicación (CAyC) [Center of Art and Communication] who participated in the exhibition, Arte de Sistemas II [Systems Art] (Buenos Aires, September 1972). Each record [...]

This text suggests that although there is no “Latin American art” as such — that is, art produced by Latin American nations — these countries certainly share a number of “common problems” in terms of the social and political reality of [...]

In this essay, the artist and performer Clemente Padín explains the concept of “street art and urban art” following the alternative art exhibition, Tomarte, held in the city of Rosario, Argentina, in April 1990, with the pretense of injecting [...]

The text finds the problem of the lack of connection between the “men of reflection (scientists, philosophers, theorists) and “men of action (artists, technicians, planners, operators)” producing, as a result, “thinkers removed from reality [...]

This document announces both the opening of the Escultura, follaje y ruidos [Sculpture, foliage, and noise] exhibition in Buenos Aires (Plaza Rubén Darío, November 7–30, 1970), but also its key proposal: to generate urgency for contact and [...]

A leaflet announcing the Horacio Zabala—Anteproyectos [Draft Copies by Horacio Zabala] exhibition (Buenos Aires: Centro de Arte y Comunicación [Art and Communication Center], May 1973 [...]

This document is a catalog of the exhibition El Grupo de los Trece en Arte de Sistemas [The Group of Thirteen in Systems Art] (Buenos Aires: Centro de Arte y Comunicación, December 1972 – March 1973 [...]