Documents of Latin American and Latino Art

In this text, the writer Ulyses Petit de Murat discusses the travels of the exhibition Hacia un perfil del arte latinoamericano. Petit de Murat was a highly esteemed contributor in the field of literature and cinematography who, one way or another, [...]

This newsletter introduces Hacia un perfil del arte latinoamericano, the exhibition organized by the CAYC and shown at the Amadis gallery in Madrid. The event took place after the exhibition’s earlier runs at the III Bienal de Arte  [...]

Listado de obras de artistas argentinos e internacionales participantes de la exhibición Hacia un perfil del arte latinoamericano, inaugurada el 22 de junio de 1972 en la sede del CAYC. Trátase de la primera presentación en [...]

An article in this newsletter invites readers to a screening of Reading Film from “Knots” by R. D. Laing, directed by David Lamelas, at the CAYC. The film was made with help from the CAYC to exhibit Art Systems during the Bienal de S& [...]

The journalist Maritza Jiménez reviews the presentation of a book-sculpture that includes prints by Lihie Talmor and poems by the Venezuelan writer Edda Armas. Jiménez describes how the book was conceived and created by Talmor with support from [...]

In this text, Teresa del Conde argues that the vast majority of what has been written about Francisco Toledo “ . . . highlights his magical qualities above the structural, compositional and iconographical aspects of his work.” Chronicling and [...]

Art historian Shifra M. Goldman writes with great acuity and depth about the traveling exhibition, Art of the Fantastic: Latin America, 1920–1987, which opened at the Indianapolis Museum of Art in 1987, and subsequently went to the Queens [...]

This essay by Professor Raúl Antelo addresses the issue of place in a theory concerning the marginalizing of Latin American culture, more specifically within South America. This culture has always been viewed through a prism of exclusion and [...]

Through comparative analysis, Silviano Santiago examines the “place” of literary discourse in Latin America. He describes a process of “acculturation” that began in the colonial era and has left the trace of “defamiliarization.” [...]

In this article Marta Traba takes the thoughts expressed by her opponents in their ongoing debate—in particular those by J. R. Guillent Pérez—and distills them down to what she considers to be the focal point of the controversy, which is her [...]

Ludovico Silva, who had a philosophy background, refutes the thesis of Marta Traba of a “false apocalypse” when she rationalizes that Latin American artists were simulating hardships alien to their reality. According to Silva, the idea of [...]

Nicolás Olivari puts forward that for them, members of the N. S. [the new sensibility] of Argentina, the young vanguard, Spain does not entail any intellectual interest. In his opinion, it’s not even possible to match the works by the new [...]

Response of Cayetano Córdova Iturburu to the survey sponsored by the magazine Contra [Against]: “Should art serve social problems?” He challenges the response given by Jorge Luis Borges en Contra, issue 3, stating that it is mere humor and [...]

In this text, Pellegrini applies a critical point of view to three statements, chosen at random, authored by Jorge Luis Borges, T.S.Eliot, and William Faulkner. In his conclusion Pellegrini notes that, although the analysis of these statements [...]

The Brazilian critic reviews Ferrari’s work in terms of the period, exploring the concept of time and the labyrinth in an obvious comparison to the work of the writer Jorge Luis Borges [...]