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Aguariacuar : la partida
1994The journalist Maritza Jiménez reviews the presentation of a book-sculpture that includes prints by Lihie Talmor and poems by the Venezuelan writer Edda Armas. Jiménez describes how the book was conceived and created by Talmor with support from [...]ICAA Record ID: 1155873 -
Francisco Toledo : A Retrospective of his Graphic Works
1988In this text, Teresa del Conde argues that the vast majority of what has been written about Francisco Toledo “ . . . highlights his magical qualities above the structural, compositional and iconographical aspects of his work.” Chronicling and [...]ICAA Record ID: 1075729 -
Latin American visions and revisions
1994Art historian Shifra M. Goldman writes with great acuity and depth about the traveling exhibition, Art of the Fantastic: Latin America, 1920–1987, which opened at the Indianapolis Museum of Art in 1987, and subsequently went to the Queens [...]ICAA Record ID: 1063953 -
Genealogia del entre-lugar modernista
2006This essay by Professor Raúl Antelo addresses the issue of place in a theory concerning the marginalizing of Latin American culture, more specifically within South America. This culture has always been viewed through a prism of exclusion and [...]ICAA Record ID: 808262 -
O entre-lugar do discurso latino-americano
1978Through comparative analysis, Silviano Santiago examines the “place” of literary discourse in Latin America. He describes a process of “acculturation” that began in the colonial era and has left the trace of “defamiliarization.” [...]ICAA Record ID: 807968 -
Por mi parte, punto final
1965In this article Marta Traba takes the thoughts expressed by her opponents in their ongoing debate—in particular those by J. R. Guillent Pérez—and distills them down to what she considers to be the focal point of the controversy, which is her [...]ICAA Record ID: 799411 -
Marta Traba en el limbo
1965Ludovico Silva, who had a philosophy background, refutes the thesis of Marta Traba of a “false apocalypse” when she rationalizes that Latin American artists were simulating hardships alien to their reality. According to Silva, the idea of [...]ICAA Record ID: 799323 -
Madrid, meridiano intelectual hispano América
1927Nicolás Olivari puts forward that for them, members of the N. S. [the new sensibility] of Argentina, the young vanguard, Spain does not entail any intellectual interest. In his opinion, it’s not even possible to match the works by the new [...]ICAA Record ID: 790623 -
Arte, arte puro, arte propaganda
1933Response of Cayetano Córdova Iturburu to the survey sponsored by the magazine Contra [Against]: “Should art serve social problems?” He challenges the response given by Jorge Luis Borges en Contra, issue 3, stating that it is mere humor and [...]ICAA Record ID: 763591 -
Comentarios a tres frases de autores célebres : (La celebridad es la conciencia del horror)
1956In this text, Pellegrini applies a critical point of view to three statements, chosen at random, authored by Jorge Luis Borges, T.S.Eliot, and William Faulkner. In his conclusion Pellegrini notes that, although the analysis of these statements [...]ICAA Record ID: 744705 -
Os paraísos vulneráveis de León Ferrari
1983The Brazilian critic reviews Ferrari’s work in terms of the period, exploring the concept of time and the labyrinth in an obvious comparison to the work of the writer Jorge Luis Borges [...]ICAA Record ID: 744221