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Frasconi: la sociedad para el artista
1972In this text, art historian Gabriel Peluffo interviews artist Antonio Frasconi, who was a resident of the United States since the forties, during the artist’s visit to Montevideo. Frasconi studied printmaking in Uruguay as a member of the Club de [...]ICAA Record ID: 1246369 -
Genealogia del entre-lugar modernista
2006This essay by Professor Raúl Antelo addresses the issue of place in a theory concerning the marginalizing of Latin American culture, more specifically within South America. This culture has always been viewed through a prism of exclusion and [...]ICAA Record ID: 808262 -
Fotografía y cinematógrafo
1932In spite of showing his work in solo photography exhibitions, Carlos Mérida’s favorite subject to write about was Emilio Amero’s cinematographic work. Specifically, he focuses on 3-3-3 shorts, whose balance surprises him, since the medium works [...]ICAA Record ID: 794617 -
Balance de la LEAR
1937This article is a self-critique of the Liga de Escritores y Artistas Revolucionarios (LEAR) [League of Revolutionary Writers and Artists], which also touches on the group’s diversity. It mentions the disorder created by incorporating other [...]ICAA Record ID: 779409 -
Fotografía y cinematógrafo : Emilio Amero
1932In this newspaper article, Carlos Mérida, a Guatemalan artist who lived in Mexico, quotes from an essay he had written for the exhibition catalogue, Amero 25 nuevas fotografías [Amero: 25 New Photographs]. He also includes three of Emilio Amero’s [...]ICAA Record ID: 774109 -
Las cosas claras
1940José Bergamín, a writer from Madrid living in exile in Mexico, draws up a welcoming speech as a member of the Junta de Cultura Española addressed to all of those who worked in Spain for its cultural life and for his defense. He further addresses [...]ICAA Record ID: 759093 -
García Lorca espera en la Cámara de Diputados
1962The (anonymous) critic offers a formal assessment of León Ferrari’s work, mentioning the fact that Ferrari is an engineer. The writer also mentions that the Spanish Republicans living in Buenos Aires had commissioned a sculpture for Federico Garc [...]ICAA Record ID: 743832 -
Paradojas contemporáneas
1933While visiting Argentina, Mexican painter David Alfaro Siqueiros forms his opinions about Argentinean culture from an ideological split. In his view there are two columns that he calls, in general: the aristocratic and the red one, defined by their [...]ICAA Record ID: 733937