Documents of Latin American and Latino Art

This article is a commentary about the unsuccessful display in New York of the calogramas [also known as Kallograms] by the Mexican José de Torres y de Palomar, among other reasons, for having refused to transform his graphic proposals into [...]

In his review dated November 1918, the poet, critic and Mexican diplomat José Juan Tablada reports on three Mexican artists who have become part of the New York avant-garde: Marius de Zayas, Juan Olaguíbel and José de Torres y de Palomar. Tablada [...]