Documents of Latin American and Latino Art

This newsletter announces the screening of a number of films (selected by the CAYC) at the Museum of Contemporary Art in Chicago. The article includes a list of the films that were scheduled to be shown [...]

In this unpublished protest statement, the Alliance for Cultural Equity (ACE) demands the cancellation of The Chicago Show, unless its organizers establish a dialogue to achieve the exhibition’s stated goal of showcasing the talent and cultural [...]

In this article, Alice Piron considers the public art collection at the Chicago Harold Washington Library Center, notable for having the largest “Percent for Art Program” budget—at the time in excess of $1 million—and for having specific [...]

Author Dorothy Chaplik provides an overview of the life and art of Alejandro Romero, a recognized Chicago-based Mexican painter and muralist. She traces his artistic career from his childhood in Tabasco and youth and Mexico City, when he first [...]

Written by Harold Allen, Chicago-based photographer and husband of Mexican folk artist María Enríquez de Allen, this biographical sketch covers the life of Enríquez de Allen from her childhood in Allende, Cohauila to her years in Chicago, where [...]

In this statement, the Chicago Artists' Coalition (CAC) voices its objection to the mid-competition change of rules and procedures for selecting artists for The Chicago Show. It calls the organizers’ decision to add an invitational component to [...]

In this text, James Yood offers a scathing critique of The Chicago Show, an exhibition mounted at the Chicago Cultural Center in 1990. He describes the process by means of which this exhibition—conceived of as a juried exhibition to showcase the [...]

In this feature on the Cuban-American artist Paul Sierra, Jeff Huebner writes the artist’s biography, his recent ascent in the mainstream art world, and the attendant conflicts that arose in relationship to his status as a Latino artist. Huebner [...]

In this curatorial statement, Patricio Chávez and Madeleine Grynsztejn, co-curators of the exhibition La Frontera/The Border: Art About the Mexico/United States Border Experience (1993), describe the project as the “central manifestation” of the [...]