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Gosto de arte. É para ela que trabalho
2005As this interview by Rodrigo Naves with Raquel Arnaud explains, Arnaud first got involved with the Brazilian art scene at the Museu de Arte de São Paulo (MASP) between 1968 and 1971, under the guidance of the museum’s founder and director, Pietro [...]ICAA Record ID: 1111218 -
Uma escola de desenho industrial no Museu de Arte
1950This is an article about the Escola de Desenho Industrial at the Museu de Arte de São Paulo (MASP). Though still in its infancy, the field of industrial design in Brazil in the 1950s offered an excellent opportunity to those who wanted to fuse the [...]ICAA Record ID: 1110325 -
Finalidades do I.A.C., no Museu de Arte : pretende colocar os modernos métodos de produção a serviço da arte contemporanea
1950This is a report on the underlying reasons for the founding of the Instituto de Arte Contemporânea del Museu de Arte de São Paulo (IAC-MASP). The article highlights the pedagogical mission of the MASP under its director Pietro Maria Bardi. It also [...]ICAA Record ID: 1087137 -
Composição
1951This is a description of the Curso de Composição, the composition course for seven classes that the architect Jacob Ruchti taught at the IAC (Instituto de Arte Contemporânea) at the MASP (Museu de Arte de São Paulo). The professor explains that [...]ICAA Record ID: 1087056 -
Instituto de Arte Contemporânea
1951In this article in HABITAT magazine, the architect Jacob Ruchti introduces the industrial design course at the recently opened IAC (Instituto de Arte Contemporânea) at the MASP (Museu de Arte de São Paulo). The article discusses the professional [...]ICAA Record ID: 1086963 -
Instituto de Arte Contemporânea
1950This is a promotional pamphlet for the course on Industrial Design at the IAC (Instituto de Arte Contemporânea) at the Museu de Arte de São Paulo. It offers information on the first and second years of study, optional courses, and the professors [...]ICAA Record ID: 1086836