Name Descriptor: Millar, Pedro, 1930-2014×
  • El grabado en Chile 1950-1973 en la época de las planificaciones globales
    Soro, Mario, 1957-
    This essay by Mario Soro was one of the chapters in the catalogue for the exhibition Chile 100 años (Chile 100 Years) covering the second period, 1950–73, titled “Entre modernidad y utopía” (Between Modernity and [...]
    ICAA Record ID: 767226

  • Pedro Millar, grabador
    Millar, Pedro, 1930-2014
    “Pedro Millar, grabador” is the transcript of a conversation between CAL magazine and Pedro Millar. The interviewer asked the printmaker for his views on subjects such as the relationship between his work and contemporary art, his [...]
    ICAA Record ID: 767128

  • Pedro Millar
    Lihn, Enrique, 1929-1988
    This essay is a review by Enrique Lihn on Pedro Millar’s exhibition at the Instituto Cultural de Providencia, and it being part of the IV Bienal Americana del Grabado in Santiago, Chile in 1970. Lihn characterized Millar’s work as [...]
    ICAA Record ID: 767093

  • Diálogo entre grabadores Pedro Millar-Nemesio Antúnez
    Millar, Pedro, 1930-2014; Antúnez, Nemesio, 1918-1993
    Pedro Millar interviews Nemesio Antúnez, and they discuss printmaking based on their personal and group experience. The conversation touches on what prompted Antúnez’s interest in printmaking, the years he spent in the United [...]
    ICAA Record ID: 761849

  • Pequeña novela del grabado chileno
    Mellado, Justo Pastor, 1949-
    Justo Pastor Mellado explains the reasons that motivated the Chilean submission to the X Mostra da Gravura, which was a desire to articulate a new artistic cartography. The hypothesis he lays out in this text points to formal movements in the field [...]
    ICAA Record ID: 736031