Name Descriptor: Kosice, Gyula, 1924-×
  • [Del 10 de julio al 12 de agosto de 1962, se realizó en el Museo Nacional de Bellas Artes la exposición...]
    Romero Brest, Jorge; Argan, Giulio Carlo; Sweeney, James Jonson
    1962
    This resource contains the discussion between the members of the jury for the Premio Nacional e Internacional Torcuato Di Tella [National and International Prize Torcuato Di Tella] 1962. After long deliberations, this jury—consisting of Giulio [...]
    ICAA Record ID: 755710

  • [Desde el cubismo y futurismo hasta madi...]
    Bay, Juan
    1953
    While introducing the work of Gyula Kosice, the author refers to movements that sought to create an independent object instead of imitating or deforming one. Juan Bay identifies the difference between the works produced by members of certain [...]
    ICAA Record ID: 743077

  • [Letter] 1962 Abril 12, Buenos Aires [to] Enio Iommi
    Romero Brest, Jorge
    1962
    Jorge Romero Brest writes to Enio Iommi inviting him to participate in the Torcuato Di Tella Institute Prize (1962 edition), enclosing the rules. In addition, he informs him that he will be able to apply for the National Prize (and eventually for the [...]
    ICAA Record ID: 755780

  • [Se reconocerá por Arte Madí...]
    1947
    The Madí group expressed a desire to invent and construct objects in the very heart of a society that is capable of releasing energy and controlling both space and time. They also proposed that their ideas could be applied to all artistic [...]
    ICAA Record ID: 732008

  • Argentina
    1954
    The document is in reference to the presentation of the Argentinean delegation organized by the Subsecretaría de Difusión del Ministerio de Relaciones Exteriores de la República Argentina [Undersecretary for Dissemination of the Ministry of [...]
    ICAA Record ID: 743249

  • Arte Nuevo de la Argentina = New Art of Argentina
    Instituto Torcuato Di Tella
    1964
    This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]
    ICAA Record ID: 753895

  • Breve historia del arte argentino
    Bayón, Damián
    1987
    This brief but thorough review by the Argentine critic Damián Bayón explores the development of Argentine art from the eighteenth century to the present day. He mentions artists, architects, and sculptors who have helped to define the concept of [...]
    ICAA Record ID: 805103

  • Carta abierta de H. J. Koellreutter
    Koellreutter, Hans Joachin, 1915-2005
    1950
    Hans-Joachim Koellreutter wrote this letter from Teresópolis, Brazil, in August 1950. In it, the German-Brazilian composer mentions the research he is doing, exploring new relationships between sounds that will lead to a Madí style of music [...]
    ICAA Record ID: 731941

  • Concierto Internacional de la escultura actual : Premio Di Tella en el Museo Nacional de Bellas Artes
    Baliari, Eduardo
    1962
    Eduardo Baliari, a critic for the Clarín newspaper, points out in his note that connections are missing among the eight Argentinean artists and the eleven foreign artists invited to the 1962 Torcuato Di Tella Prize; particularly among the works of [...]
    ICAA Record ID: 759986

  • El premio internacional de escultura
    Brughetti, Romualdo
    1962
    Romualdo Brughetti's critique of the Torcuato Di Tella Prize emphasizes some aspects of sculpture that are related to society, materials, and to going beyond the limits of traditional sculpture, as well as its outcome in the art field. After having [...]
    ICAA Record ID: 763954

  • Foreword
    Van der Marck, Jan; Foley, Suzanne
    1964
    The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]
    ICAA Record ID: 768152

  • Introduction
    Romero Brest, Jorge
    1964
    Jorge Romero-Brest analyzes the characteristics of Argentinean art from the early 19th century to the present, considering influences of international artistic trends and their diverse consequences in the local milieu. Furthermore, the art critic [...]
    ICAA Record ID: 768175

  • Kosice
    Stábile, Blanca
    1953
    In this critical article, Blanca Stábile reviews the works by Gyula Kosice that were exhibited at the Galería Bonino in September 1953. In her analysis of these particular works, Stábile not only places them within the parameters of Madí art, [...]
    ICAA Record ID: 742350

  • Más que un movimiento
    Galería Los Independientes (Buenos Aires, Argentina)
    1954
    This article states that Madí has become a style—as can be seen in the drawings, paintings, sculptures, and architecture that are shown in the catalogue—among the plethora of lines and surfaces, liberated planes and colors, articulated [...]
    ICAA Record ID: 743168

  • Sección diálogo con nuestros lectores
    Stábile, Blanca
    1955
    This article was written by the art critic, Blanca Stábile, to clarify the chronological data she included in an article entitled “Para una historia del arte concreto en la Argentina” [For a History of Concrete Art in Argentina]. The article [...]
    ICAA Record ID: 742815