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Artes plásticas: salón anual de pintura
1958The critic here discusses the role of the Salón de la Plástica Mexicana (SPM) [Mexican Visual Arts Salon] which, according to him, no longer performs the function for which it was originally created. His remarks are based on his observations of the [...]ICAA Record ID: 795164 -
Cuevas el niño terrible : en una ácida carta, traza la caricatura del conformista y se pinta a sí mismo como un francotirador enemigo de la vulgaridad, el adocenamiento y el lugar común
1958This text is a transcription of the letter that José Luis Cuevas sent to the Novedades editorial director, Fernando Benítez, and signed in New York on March 20, 1958. Here, the artist says he wished to respond to the “ire” that his previous [...]ICAA Record ID: 772094 -
Exposiciones : Salón 1962
1962In this article Margarita Nelken, the critic of Spanish origin, reviews the Salón Anual de Pintura that is taking place at the Salón de la Plástica Mexicana (SPM) in Mexico City. After appreciating the work of a few of the exhibitors, the author [...]ICAA Record ID: 786415 -
Homenaje a las madres : Todos llenos de técnica : todos faltos de emoción
1958The art critic Ceferino Palencia reviews the exhibition at the Salón de la Plástica Mexicana [Salon of Mexican Visual Arts], one of three events presented in Mexico City to celebrate Mother’s Day. Twenty-five “accredited” painters were [...]ICAA Record ID: 786470 -
Más guerra que paz
1963The journalist Enrique F. Gual discusses the exhibition presented by the painters of the Nueva Presencia [New Presence] along with other artists who share the Nueva Presencia ideals at the Salón de la Plástica Mexicana [Visual Arts Mexican Salon]. [...]ICAA Record ID: 747221 -
Novedad : los pintores pagan con cuadros sus impuestos : Resultado : afluyen las obras para fundar un museo de arte moderno mexicano
1957This short article documents the anticipated consequences of a new tax system implemented by the Ministry of Finance, which required artists to pay taxes for the first time. As a special concession, artists could make the payments with a donation of [...]ICAA Record ID: 775071 -
Rufino Tamayo ¿Ha influido Europa en su arte?
1951After spending two years in several European countries, Rufino Tamayo returned to Mexico. He said that his European stay had helped him to clarify a few matters. One of them, perhaps the most important, was that—contrary to the opinion of Mexican [...]ICAA Record ID: 769914 -
Salón 61 : una sencilla mujer del norte : ¿Señor, por qué han premiado cuadros tan feos?
1961In this article Carlos Valdés writes a short review of the 1961 Salón la Plástica Mexicana [1961 Salon of the Mexican Visual Arts]. He tells the story of a woman who approached him at the exhibition and asked him if he understood why prizes had [...]ICAA Record ID: 735951