Name Descriptor: Mondrian, Piet×
  • Actual No 3. Hoja de vanguardia. Proyecto Internacional de Nueva Estética
    Maples Arce, Manuel, 1900-
    1922
    While the first issue of Actual contained a directory of avant-garde artists, this third issue held an index of avant-garde books and magazines. Listings include: La vie des lettres, a French magazine begun in 1913 and headed by Nicolas Beauduin; an [...]
    ICAA Record ID: 809167

  • Cátedra libre : pintura clásica y pintura moderna
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    This is the general introduction to the survey about “classical” painting and “modern” painting that was published over the course of several weeks in the “Cátedra Libre” section of the Sunday supplement of El Comercio, a Lima newspaper [...]
    ICAA Record ID: 1137375

  • Cátedra libre : pintura clásica y pintura moderna ¿ritmo acelerado o retorno a lo clásico?
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    Several European intellectuals responded to the final question in the survey about “classical” painting and “modern” painting that was published in the Lima newspaper El Comercio. Paul Linder states that, in the course of history, there are [...]
    ICAA Record ID: 1137531

  • El ángulo : su aplicación y control en la obra plástica
    Blaszko, Martín, 1920-
    1956
    In this article, Martín Blaszko discusses the issue of angles in a composition and explains that, although Piet Mondrian used a 90-degree angle as his standard measure of control, it subsequently became necessary to do something else about the [...]
    ICAA Record ID: 742568

  • El arte en París
    Fernández, Justino
    1952
    Justino Fernández provides a roundup of the exhibitions going on in Paris at the same time as the Mexican exhibition in France. Comparing European painting with Mexican, he argues that from the beginning, Mexican painting developed its own language [...]
    ICAA Record ID: 779939

  • En defensa de la Pintura, de un Artista y del Arte Moderno : con motivo de un artículo aparecido en la revista – Arte Concreto Invención – B.A.
    Cabrera, Sarandy
    1947
    In this article, Sarandy Cabrera comments on the opinions expressed by Tomás Maldonado in his essay, “Torres-García against Modern Art,” published in the magazine [Bulletin of the Concrete Art and Invention Association]in December 1946. Cabrera [...]
    ICAA Record ID: 731079

  • II. Piet Mondrian
    Bayón, Damián
    1950
    In this document Damián Bayón analyzes the different periods of the work and thought of Piet Mondrian. He believes that in his search for balance, this Dutch artist adopted the right angle as the only constant relation. At the same time, and so [...]
    ICAA Record ID: 742979

  • III : aparición y desarrollo del abstraccionismo : conceptos concretos sobre la pintura abstracta
    Otero Silva, Miguel
    1957
    In this article, Miguel Otero Silva discusses the similar origins of abstraction in two painters who helped to inspire two major movements: the Russian (lyrical) artist Wassily Kandinsky and the Dutch (geometric) artist Piet Mondrian. Otero Silva [...]
    ICAA Record ID: 856012

  • Nuestro problema de arte en América
    Torres-García, Joaquín
    1946
    This lengthy article discusses the main doctrinaire questions that concerned Joaquín Torres García, stressing his personal view of the “American race” as a transplant with no roots, for which he proposes the development of a collective, “ [...]
    ICAA Record ID: 1238773

  • Nuestro problema de arte en América : lección VI del ciclo de conferencias dictado en la Facultad de Humanidades y Ciencias de Montevideo
    Torres-García, Joaquín
    1946
    This is the text of a lecture given by Joaquín Torres-García at the School of Science and Humanities in Montevideo, Uruguay, in which he reflected on modern art and even analyzed a number of theories. Among other controversial views, he announced [...]
    ICAA Record ID: 731106

  • Originalidad e invención
    Cabrera, Sarandy
    1946
    In this essay, Sarandy Cabrera focuses on modern art’s quest for originality when he criticizes the artists of the Madí group, blaming them for introducing a cold, mathematical, and cerebral kind of art. However,Cabrera also points out that, [...]
    ICAA Record ID: 731091

  • Pintura y arquitectura
    Haber, Abraham
    1951
    In this review, Abraham Haber discusses the connections created by Mondrian, Le Corbusier, Gorin, and Max Bill between painting and architecture, in order to show how they differed from the ideas that were proposed by Perceptivism [...]
    ICAA Record ID: 730645

  • Pintura y percepción
    Haber, Abraham
    1950
    In this review, Abraham Haber discusses the evolution of the work of Wassily Kandinsky, Paul Klee, and Piet Mondrian in order to establish, within those same parameters, its relationship to Concrete Art in Argentina and the proposals advanced by [...]
    ICAA Record ID: 730617

  • Situación de la pintura joven
    Platschek, Hans, 1923-2000
    1950
    This article is by Hans Platschek who was living in Montevideo between 1939 and 1953. The German artist makes a self- analysis on the resulting situation of postwar modernism, specifically the debated notion of “Art Nouveau or young art” both in [...]
    ICAA Record ID: 1228378

  • Torres García contra el arte moderno
    Maldonado, Tomás, 1913-
    1946
    In the article, Tomás Maldonado discusses the concepts brought forth by Joaquín Torres-García and his followers against the Inventionist group postulates, published in issue number 2 of the Removedor [Thinner] journal. It refers to the following [...]
    ICAA Record ID: 730028