Name Descriptor: Serpa, Ivan×
  • Arte Concreta
    Gullar, Ferreira, 1930-
    1977
    In this essay, Ferreira Gullar challenges the position taken by Rio de Janeiro’s so-called neo-Concrete artists in his account of the two movements’ shared history and disagreements. In his opinion, the genesis of Brazilian Concrete art [...]
    ICAA Record ID: 1315020

  • Arte infantil
    Pedrosa, Mário
    1952
    Art critic Mário Pedrosa wrote this text for the catalogue of the Exposição Infantil held at the MAM-RJ (Museu de Arte Moderna do Rio de Janeiro) in 1952, which he based on the work regarding the creative potential of children conducted at the end [...]
    ICAA Record ID: 1110389

  • Concretismo / Neoconcretismo : quem é, quem não é, quem aderiu, quem precedeu, quem tangenciou, quem permaneceu, saiu, voltou, o concretismo existiu?
    Morais, Frederico, 1936-
    1977
    Frederico Morais uses an extremely long title to provide a précis of his essay. But it only complicates the simplified narratives of a movement—whose embrace of doctrinaire Constructivism was followed by a critical rift between Concrete [...]
    ICAA Record ID: 1315134

  • I Exposição Nacional de Arte Concreta: 2 - O grupo do Rio
    Gullar, Ferreira, 1930-
    1957
    This article reviews the works exhibited by carioca artists (from Rio de Janeiro) at the I Exposição Nacional de Arte Concreta. The poet and critic Ferreira Gullar, who lives in Rio and is the leader of the local concrete art group, discusses the [...]
    ICAA Record ID: 1090217

  • Ivan Serpa : "o artista já não pode fechar-se em si mesmo"
    Gullar, Ferreira, 1930-; Serpa, Ivan
    1965
    The critic Ferreira Gullar interviews the artist Ivan Serpa, who thinks that painting represents the contradictions of his contemporary world, which builds devices that are designed to destroy and others that allow mankind to float around in outer [...]
    ICAA Record ID: 1110374

  • Ivan Serpa expõe em Washington, E.U.A.
    Pedrosa, Mário
    1954
    In this text, critic Mário Pedrosa analyzes the show of collages by painter Ivan Serpa held in Washington, D. C. in 1954. He remarks on Serpa’s career and on his choice of abstraction. Pedrosa also comments on the impact on Serpa’s work of [...]
    ICAA Record ID: 1090373

  • Rio : vertente construtiva
    Morais, Frederico, 1936-
    1984
    In his introductory essay, Frederico Morais identifies the basic criteria underpinning the three retrospective exhibitions that were presented as part of the Ciclo de exposições sobre arte no Rio de Janeiro (1984). He briefly discusses [...]
    ICAA Record ID: 1317025