Documents of Latin American and Latino Art

This newsletter announces the CAYC’s presentation at the Agora Studio in Maastricht, Holland. This event was another stop on the international tour organized for the exhibition Hacia un perfil del arte latinoamericano that, in this case, [...]

In this latest foray on the international stage, the CAYC presented an updated version of Arte de Sistemas en Latinoamérica in London on November 28, 1974. The exhibition, at the British ICA (Institute of Contemporary Art), included works by [...]

This newsletter announces the opening of Arte en cambio II, an exhibition at the CAYC, on September 20, 1974, featuring works by the Grupo de los Trece, an art collective whose members were also associated with the CAYC. The article includes the [...]

This newsletter, which is written in English, announces the September 1975 opening of a new edition (with a different title) of Hacia un perfil del arte latinoamericano, the exhibition presented by the CAYC at the École cantonale des beaux- [...]

The CAYC produced this newsletter to promote the exhibition Arte de Sistemas en Latinoamérica at the Palazzo dei Diamanti, in Ferrara, Italy. The event opened on May 25, 1975, and the newsletter includes black-and-white photographs of works by [...]

In this newsletter, the CAYC announces the opening of Arte en cambio II, with works by the Grupo de los Trece at this second edition of the event at the center on September 20, 1974. The article provides a list of participating artists and photos of [...]

The CAYC restated its Third World solidarity in what was then Yugoslavia (now Croatia), where it had already organized exhibitions in the past. This newsletter includes a list of participating artists whose works were shown in that edition of the [...]

This English version of the newsletter includes the announcement for Hacia un perfil del arte latinoamericano, the exhibition organized by the CAYC at the Dudley Peter Allen Memorial Art Museum, affiliated with Oberlin College, in Ohio, after touring [...]

As part of the Argentinean institution’s European tour in 1974, this newsletter announces the opening of an exhibition of Latin American art in July organized by the CAYC at the University of Fine Arts of Hamburg, Germany, with a presentation [...]

This newsletter introduces Hacia un perfil del arte latinoamericano, the exhibition organized by the CAYC and shown at the Amadis gallery in Madrid. The event took place after the exhibition’s earlier runs at the III Bienal de Arte  [...]

An article in this newsletter lists the exhibitions that the CAYC organized in 1972. The list includes events held at the center’s premises as well as those that were presented at the local and international institutions with which the CAYC [...]

An article in this newsletter introduces Fotografía Tridimensional, a group exhibition at the CAYC. The exhibition includes works by the so-called Grupo de los Trece and a number of guest artists who use photography as a tool to present [...]

This is a list of the works that were shown by Argentinean and international artists at Arte de Sistemas, the exhibition presented at the Instituto de Arte Contemporáneo in Lima, Peru. The list reveals that the event in Lima included different [...]

The article announcing Hacia un perfil del arte latinoamericano—the exhibition that was organized by the CAYC at its premises in Buenos Aires after being shown at the III Bienal de Arte de Coltejer in Medellín, Colombia—includes an [...]

This article announces the opening of Arte de Sistemas, the exhibition presented at Museo de Arte Moderno de Buenos Aires. Participating artists are listed by country and there is a brief description of the concept of “arte de sistemas.” [...]

This document is a catalog of the exhibition El Grupo de los Trece en Arte de Sistemas [The Group of Thirteen in Systems Art] (Buenos Aires: Centro de Arte y Comunicación, December 1972 – March 1973 [...]

This text states that the exhibition, Arte de Sistemas [Systems Art] (Buenos Aires, Museo de Arte Moderno, July 1971), contains elements that would “para entretener —o escandalizar— al público […] sirve para medir […] no solo una posición [...]