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Documentos : Tres décadas de fotografía en el Perú
1997The authors’ curatorial approach is based on the idea of photography as a “document” rather than on its contextual specificity “over the last thirty years in which photography has enjoyed unprecedented worldwide success and our country has [...]ICAA Record ID: 1143141 -
Sobre fotografía peruana actual : posibilidades de superar una depresión
1980In this review of contemporary Peruvian photography the author questions the attempt to divide the genre into two separate categories that make a distinction between artist photographers and lay photographers. Montalbetti claims that the discussion [...]ICAA Record ID: 1139634 -
El renacimiento indio por el arte
1927In this article the writer Humberto Suárez (who uses the pseudonym Kocha-Puma) profiles the photographer Martín Chambi. Suárez describes the city of Cuzco as an emblematic artistic center that indigenous artists should work to promote. He [...]ICAA Record ID: 1136775 -
Martín Chambi, artista neoindígena
1948In this complimentary document about the photographer from Puno, the writer José Uriel García describes Martín Chambi as a “neo-indigenous artist” whose ethnicity determines Chambi’s “intrinsic skills.” Drawing on his close connection [...]ICAA Record ID: 1136759 -
De la fotografía como funcíon estética : En torno al artista cusqueño Martín Chambi
1929In this newspaper article, Oscar Cerruto discusses the work of the photographer Martín Chambi. Cerruto refers to Benedetto Croce’s idealistic philosophical concept about expressive beauty, which he uses to defend the artistic nature of photography [...]ICAA Record ID: 1136726 -
Luis B. Ramos : "los riquísimos lechos subterráneos"
1997Beatriz González profiles the Colombian photographer Luís Benito Ramos Rodríguez, who produced an important body of work in the years between 1934 and 1950, during the period known as the República Liberal [Liberal Republic]. González, an artist [...]ICAA Record ID: 1099426