Name Descriptor: Braque, Georges×
  • Aspectos del arte moderno y la pintura de signos
    Quintana Castillo, Manuel, 1928-
    1984
    In this essay, the visual artist Manuel Quintana Castillo suggests that early twentieth century art represents the demise of the art that preceded it. He explains that modern art promotes communication, encourages personal choice as the basis of [...]
    ICAA Record ID: 1156023

  • Discusión del cubismo
    Bayón, Damián
    1953
    Damián Bayón provides a far-reaching reading of Cubism on the basis of an exhibition held at the Musée d’Art Moderne de Paris that ran from February to April 1953. Before delving into specific concerns, he explains the overall perspective of his [...]
    ICAA Record ID: 787233

  • El arte abstracto y nuestra época
    Veraz, Giuseppe
    1951
    In Alejandro Lora Risco’s opinion the exhibition of contemporary Italian paintings deserves to be discussed in extremely positive terms because it provides the residents of Lima with an opportunity to get to know—and therefore promote—non- [...]
    ICAA Record ID: 858704

  • El arte de la pintura y la realidad
    Ospina, Marco, 1912-1983
    1947
    In this article the Colombian artist Marco Ospina defines painting as the art of space, form, and color. He thus rejects the idea of art as representation, instead stressing the artist’s mental experience as the source of inspiration for a painting [...]
    ICAA Record ID: 1056293

  • Gastón Diehl promulga y espera una resurrección del espíritu impresionista en Venezuela?
    Otero, Alejandro, 1921-1990
    1950
    This article was written by Alejando Otero, on behalf of the Los Disidentes group (Paris, 1950); in the first paragraphs, it challenges the show De Manet a nuestros dias, which had been presented in various countries in South America; the French [...]
    ICAA Record ID: 813625

  • La exposición de arte mexicano en París es un triunfo enorme para México y su arte y para nuestro gobierno
    Gamboa, Fernando
    1952
    This article reports on the success of the exhibition of ancient and modern Mexican art that was presented in Paris and then shipped to Stockholm. In Fernando Gamboa’s opinion, the exhibition was a revelation. The Parisian press described it as the [...]
    ICAA Record ID: 779879

  • Reflexiones extemporáneas sobre una exposición de pintura
    Moro, César, d. 1956
    1950
    In this article César Moro discusses De Manet a nuestros días, the exhibition of French painting organized by the Municipalidad de Lima. The poet and artist describes French painting as “the best” in the world because of the fusion that [...]
    ICAA Record ID: 1138657

  • Sobre las texturas
    Rivera, Diego, 1886-1957
    1956
    On these scant three sheets of paper, Diego Rivera explores a wide range of ideas on the subject of art. This document is important because of the depth of Rivera’s ruminations on aesthetic emotions, color, form, texture, touch, feelings, and [...]
    ICAA Record ID: 780498

  • Sobre un nuevo prejuicio
    Abril de Vivero, Francisco
    1951
    In this article, Francisco Abril de Vivero criticizes what he calls the “abstractionist prejudice,” claiming that conservative rejection of new tendencies is a constant throughout art history. At the same time, he acknowledges an “ [...]
    ICAA Record ID: 1150310