Documents of Latin American and Latino Art

Writing in the ironic style he affects in his articles, the columnist Luis Rey de Castro deplores Luis Zevallos Hetzel’s attitude, which reminds him of an old word game that, in Spanish, is based on a repetition of the letter P: “Peruvian pop [...]

In this critique of the results of the painting competition sponsored by the Festivales de Ancón, the architect Augusto Ortiz de Zevallos applauds the organizational aspect of the event but disagrees with suggestions of a Peruvian art “boom.” In [...]

This text by journalist Mario Castro Arenas comments on the controversy surrounding the work Motociclista No. 3 by Luis Zevallos Hetzel, first prize winner at the painting competition organized by the Festivales de Ancón. The debate had widened [...]

This is a letter from a reader (“Alfredo Aguilar Ch.” is possibly a pseudonym) to Lima’s La Prensa newspaper, which denounces an alleged case of plagiarism by the Italian-Peruvian artist Hugo [Ugo] Camandona in a series of paintings exhibited [...]

This newspaper article reports on the roundtable discussion about Motocicleta No. 3, by Luis Zevallos Hetzel, which took first prize at the painting competition organized by the Festivales de Ancón (a resort on the outskirts of Lima). The forum took [...]

This is a brief selection of the opinions expressed by critics and artists at a round-table discussion about the jury’s controversial decision to award the first prize for painting to Motociclista No. 3, the work submitted by Luis Zevallos Hetzel [...]

This anonymous article discusses the controversy that arose in Lima over Motociclista No. 3, the work by Luis Zevallos Hetzel that won the grand prize for painting at the competition organized by the Festivales de Ancón. The article refers to [...]

This brief article discusses the exhibition of paintings by Miguel Ángel Cuadros at the Art Center gallery in Miraflores, Lima. The artist was asked for his opinions about the controversial reaction to Motociclista No 3, the painting by Luis [...]

In this article Aitor Castillo talks about Pop Art in connection with the exhibition of works by Luis Zevallos Hetzel at the gallery of the Fundación para las Artes (Lima, 1969). Without directly mentioning it, Castillo refers to the controversy [...]

This brief anonymous article addresses the debate on the subject of Motociclista No. 3, by Luis Zevallos Hetzel, winner of the first prize at the painting competition organized by the Festivales de Ancón (a resort on the outskirts of Lima). The [...]

Alfonso Castrillón weighs in on the controversy that erupted over Motociclista No. 3, the painting by Luis Zevallos Hetzel that won first prize at the Festivales de Ancón (a resort on the outskirts of Lima). The uproar began when the Lima magazine [...]

This is the first extensive challenge to the artistic credentials of Motociclista No. 3, the painting by Luis Zevallos Hetzel that was awarded first prize at the painting competition organized by the Festivales de Ancón. The challenger is Augusto [...]

This is a brief letter from the writer Alberto Valdivia Portugal to Caretas magazine about the first prize recently awarded at the painting competition organized by the Festivales de Ancón. After (apparently) congratulating the winner, Luis Zevallos [...]

This lengthy newspaper article reports on the results of the painting competition organized by the Festivales de Ancón (a resort on the outskirts of Lima). This event is spotlighted as proof of the “popularity of the visual arts in Peru [...]

This is a newspaper report on the results of the painting competition that was organized by the Festivales de Ancon (a resort just outside Lima). There were eighty-one participants, and the first prize was awarded to Luis Zevallos Hetzel. On the [...]

This is a brief newspaper article written on the Festival Contacta 72 immediately after it closed. The text highlights the massive attendance of the event due to its artistic theme of “placing the man on the street directly in contact with the [...]

This is the text of a brief interview with Francisco Mariotti, Luis Arias Vera, and Luis Zevallos, the artists who organized the Festival de Arte Total Contacta 72 in Lima. Mariotti and Arias Vera attempt to identify the major guidelines used for [...]

This is a report on the Contacta 72 festival that was organized by SINAMOS (Sistema Nacional de Apoyo a la Movilización Social) from July 26–30, 1972, during the military regime headed by General Juan Velasco Alvarado. The anonymous author [...]

This text by Juan Acha is an important contribution to the debate that arose when Luis Zevallos Hetzel’s work, Motociclista No. 3, won the grand prize at the painting competition organized by the Festivales de Ancón. Acha questions the accusation [...]