-
A fin de cuentas, todo eso de la pintura racista y socialista de Méjico y Perú no es sino folclore
1944The anonymous author of this article contrasts the favorable response on the part of Peruvian intellectuals and artists to the work of Spanish artist Victorio Macho and their response to María Izquierdo, considered “ambassador of a hypothetical [...]ICAA Record ID: 1146700 -
De arte : la exposición de María Izquierdo
1944This is a review of the exhibition of work by María Izquierdo at the ICPN (Instituto Cultural Peruano Norteamericano) in Lima. “Tiziano” [Titian] describes her exhibition as “an interesting spiritual message from the Aztec nation and a [...]ICAA Record ID: 1146668 -
La exposición de María Izquierdo
1944In this text, critic Raúl Pereira asserts that the works by María Izquierdo on exhibit in Lima display “distinct personality, unquestionable artistic quality, and visual daring” as they delve into the motifs of Mexican folk art. The treatment [...]ICAA Record ID: 1146684 -
Nota de arte: primera exposición de Fernando de Szyszlo
1947The author praises Fernando de Szyszlo’s first exhibition (May 1947) for breaking with the “imitative painting” practiced by other young [artists] “who adhere to the dead formulas of the Escuela de Bellas Artes.” Identifying “two views [...]ICAA Record ID: 1151195 -
Primera exposición de Fernando de Szyszlo
1947Jorge Eduardo Eielson discusses Fernando de Szyszlo’s first exhibition at the Instituto Cultural Peruano Norteamericano in Lima. The Peruvian poet and visual artist (who later settled in Italy) describes de Szyszlo’s work as “painting that is [...]ICAA Record ID: 1151211