Documents of Latin American and Latino Art

The critic and curator Tahía Rivero outlines the objectives of the II Bienal Camille Pissarro, which was held at the Centro Cultural Consolidado in Caracas in 1994. As Rivero says, the biennial was unquestionably “a far-reaching, innovative event [...]

In this text, curator Adolfo Wilson explains why the fifth edition of the Bienal de Artes Visuales Christian Dior featured solely painting and not other artistic media. He describes the obstacles he had to overcome to hold a painting salon in 1997, [...]