Name Descriptor: Cárdenas, Santiago, 1937-×
  • [El dibujo y el grabado han contando en el arte colombiano...]
    Serrano, Eduardo, 1939-
    1976
    The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. This art critic emphasizes the acceptance of the drawing and the print [...]
    ICAA Record ID: 1099111

  • Al ritmo del Caribe
    González, Miguel, 1950-
    1979
    The text “Al ritmo del Caribe” was written by art critic and curator Miguel González, a crucial figure in the development of art from the city of Cali in the seventies. González writes about a series of events and situations in the Colombian [...]
    ICAA Record ID: 1099711

  • Arte moderno en Colombia : de comienzos de siglo a las manifestaciones más recientes
    Rubiano Caballero, Germán, 1938-
    1995
    In this text, historian and critic Germán Rubiano Caballero provides an overview of Colombian art from the twenties through the eighties. He analyzes each decade on the basis of two key criteria: how the modern is constructed and the tension between [...]
    ICAA Record ID: 1100108

  • El especial realismo de Santiago Cárdenas
    Serrano, Eduardo, 1939-
    1977
    This text by Eduardo Serrano introduces the work Tres Pizarrones by Santiago Cárdenas, exhibited at the XIV Bienal de São Paulo in September 1977. The catalogue [in which the text was published] provides an overview of the artwork created by Cá [...]
    ICAA Record ID: 1134945

  • El VII Salón Atenas : "Ya que estamos"
    Traba, Marta
    1981
    Written by Marta Traba and published in the magazine Arte en Colombia, “El VII Salón Atenas” is perhaps the harshest criticism of the Colombian salons held in November. Traba argues that despite belief to the contrary, the Salon Atenas has not [...]
    ICAA Record ID: 1104875

  • Espacios ambientales: la ilusión óptica
    Ardila, Jaime, 1942-; Lleras, Camilo, 1949-
    1984
    The chapter “Espacios ambientales: la ilusión óptica” in the book Verdades sobre arte, mentiras sobre papel. Encuentros con Santiago Cárdenas y su obra, is an interview done by Jaime Ardila and Camilo Lleras with the painter Santiago Cárdenas [...]
    ICAA Record ID: 1135806

  • La Ciudad Solar abre sus puertas para siempre : artes gráficas, exposiciones, cine, fotografía, artesanías
    Corporación Ciudad Solar (Cali, Colombia)
    1971
    This document is the postcard invitation to the inauguration of the Corporación Ciudad Solar [Solar City Association], an independent cultural space in Cali, Colombia, established by Hernando Guerrero, Francisco “Pakiko” Ordóñez, and Miguel [...]
    ICAA Record ID: 858505

  • La pintura de Cárdenas y el ámbito arquitectónico
    Huertas Sánchez, Miguel Antonio, 1959-
    2004
    In his book El largo instante de la percepción, Miguel Huertas included a chapter entitled “La pintura de Cárdenas y el ámbito arquitectónico.” One of the specific statements the author makes about the paintings Santiago Cárdenas created in [...]
    ICAA Record ID: 1134977

  • Los pintores rechazan Salón Anual sin premios
    Garzón, Miguel
    1972
    Miguel Garzón, the journalist with the Bogotá newspaper El Espectador reported on the decision to eliminate prizes and honorable mentions at the XXIII Salón de Artistas Nacionales [XXIII National Artists’ Salon] in 1972. In his article, Garzón [...]
    ICAA Record ID: 1076547

  • Los que son
    Traba, Marta
    1968
    This document is excerpted from the catalogue for Los que son [Those Who Are], the exhibition organized by Marta Traba at the Galería Marta Traba in Bogotá (May 3–16, 1968). The catalogue includes ten brief critical and biographical reviews of [...]
    ICAA Record ID: 1105063

  • Panorama actual
    Rubiano Caballero, Germán, 1938-
    1977
    This chapter of the encyclopedia Historia del arte colombiano [History of Colombian Art] written by Germán Rubiano is divided into three parts. In the first part, Rubiano discusses the art that is referred to in the chapter and that he considers to [...]
    ICAA Record ID: 1131582

  • Propuesta para una doble lectura
    Traba, Marta
    1984
    The article “Propuesta para una doble lectura” is a statement of principle as well as a thesis that Marta Traba formulated on the occasion of an exhibition of Modern Colombian art in Paris. In this text, Traba provides a periodization of [...]
    ICAA Record ID: 1089871

  • Recordando con ira
    Traba, Marta
    1968
    In this text, critic Marta Traba reviews the exhibition entitled Pintura y Grabado Hoy en Venezuela [Painting and Printmaking in Venezuela Today] held at the Biblioteca Luis Ángel Arango in Bogotá in 1968. She questions the representativeness of [...]
    ICAA Record ID: 1080610