Name Descriptor: Museo de Arte Moderno (Bogotá, Colombia)×
  • ¿Arte joven?
    Serrano, Eduardo, 1939-
    1972
    The text, “¿Arte joven?” [Young Art?] by art critic Eduardo Serrano Rueda introduces the exhibition Nombres nuevos en el arte de Colombia [New Names in Colombian Art] held at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá in March [...]
    ICAA Record ID: 855747

  • ¿Por qué Berni, Alonso y Uria?
    Traba, Marta
    1963
    This document is the catalogue for the exhibition Tres pintores argentinos (1963), featuring the work of Antonio Berni, Carlos Alonso, and Carlos Uria. In addition to a text written by art critic Marta Traba that presents the artists and works—and [...]
    ICAA Record ID: 1093577

  • "Dentro de lo abstracto, lo mío es lo menos abstracto" dice Roda
    Valencia Diago, Gloria, 1927-
    1963
    In this article, published in November 1963, the Colombian journalist Gloria Valencia Diago interviews the Spanish artist Juan Antonio Roda, in connection with the exhibition of his oil painting series, Tumbas,at the Museo de Arte Moderno in Bogot [...]
    ICAA Record ID: 1092563

  • “Grano” y otras obras de Miguel Ángel Rojas
    Serrano, Eduardo, 1939-
    1981
    In 1981, Eduardo Serrano, the director of the Museo de Arte Moderno of Bogotá at the time, wrote a profile introducing to the Colombian public the life and work of young artist Miguel Ángel Rojas, which in Serrano’s view are intrinsically bound [...]
    ICAA Record ID: 860486

  • [El Museo de la Solidaridad debía funcionar]
    Traba, Marta
    1976
    In the introduction to the exhibition Solidaridad held at the Museo de Arte Moderno of Bogota, Colombia, in 1976, Argentine critic Marta Traba—who lived in Puerto Rico for many years—explains that the Museo de la Solidaridad Salvador Allende was [...]
    ICAA Record ID: 863462

  • [Las relaciones espacio- temporales inherentes al video...]
    Aguilar, José Hernán, 1952-
    1981
    This article is from the brochure for one of the first video installations ever to be exhibited in Colombia: Gilles Charalambos “Tortas de trigo”; it was shown at the Museo de Arte Moderno in Bogotá in 1981. In the article, José Hernán Aguilar [...]
    ICAA Record ID: 1133964

  • [Primero fue la nada...]
    Valencia, Elmo
    1965
    This catalogue in brochure form describes the show of wooden sculpture by Hernando Tejada that opened on May 25, 1965, at the Museo de Arte Moderno of Bogotá (MAM). The document consists of a black and white photograph of the Colombian artist, an [...]
    ICAA Record ID: 1097982

  • [Tarjeta de invitación a reunión en el Teatro Colón. Propósito: Fundación Museo de arte Moderno-1962]
    1962
    This document consists of a personal invitation printed on a sheet of paper, in which “a group of people who are residents of the city” invite those who are interested in “any authentic form of culture” to attend a meeting to be held at 6 p.m [...]
    ICAA Record ID: 1150198

  • Acta de constitución del Museo de Arte Moderno de Bogotá
    Museo de Arte Moderno (Bogotá, Colombia)
    1980
    The “Acta de constitución del Museo de Arte Moderno de Bogotá” [Articles of Association of the Museum of Modern Art in Bogota] begins with the following two lines: “On November 20, 1962, at the Teatro Colón, at 7 p.m., the Museo de Arte [...]
    ICAA Record ID: 1098586

  • Acta de fundación del Museo de Arte Moderno
    Eiger, Casimiro, 1909- 1987; Acuña, Luis Alberto, 1904-1994; Obregón, Alejandro, 1920-1992
    1979
    This document is pertinent to the official founding of a museum of modern art in the city of Bogotá on July 27, 1955. The ceremony, which was organized by the office of Education Minister Aurelio Caicedo Ayerbe, was held at the Hotel Tequendama. [...]
    ICAA Record ID: 1097917

  • Alicia Barney : el paisaje alternativo : aferrada al drama que la naturaleza provoca
    González, Miguel, 1950-
    1982
    The article “Alicia Barney: el paisaje alternativo, aferrada al drama que la naturaleza provoca” [Alicia Barney: The alternative landscape, clinging to the drama that nature brings] by Colombian critic Miguel González was published in the [...]
    ICAA Record ID: 1078601

  • Álvaro Barrios : raros, preciosos y bellos
    Serrano, Eduardo, 1939-
    1986
    This is an introduction to the work of the Colombian artist Álvaro Barrios, written by the Colombian curator and critic Eduardo Serrano. The introduction is followed by an interview in which Serrano investigates highlights of the artist’s work [...]
    ICAA Record ID: 1092518

  • Ana Mercedes Hoyos premiada en la exposición “Espacios Ambientales”
    1968
    This article documents a $20,000 prize awarded to the Colombian artist Ana Mercedes Hoyos for her work in the exhibition Espacios ambientales, held by the Museo de Arte Moderno of Bogotá (1968). The work awarded the prize was Blanco sobre blanco, [...]
    ICAA Record ID: 1134961

  • Aproximación a una historia del videoarte en Colombia
    Charalambos, Gilles, 1958-
    Aproximación a una historia del videoarte en Colombia is one of the links on the website http://bitio.net/vac Historia del Videoarte en Colombia, a research project by video artist and professor Gilles Charalambos Bruyère that provides, free of [...]
    ICAA Record ID: 1130869

  • Arte y Política
    Serrano, Eduardo, 1939-
    1974
    In this text, Colombian art critic Eduardo Serrano—curator of the Museo de Arte Moderno of Bogotá—presents the exhibition Arte y Política held at that institution in 1974. Serrano asserts that politics is more than a recurring theme in the work [...]
    ICAA Record ID: 1093510

  • Autorreflexiones de la pintura : Carlos Salas en la galería el museo
    Jaramillo, Carmen María, 1958-
    1994
    In this text, Carmen María Jaramillo reviews Autorreflexiones de la pintura, an exhibition of work by Colombian painter Carlos Salas’s held at Galería El Museo in Bogotá in 1994. Jaramillo addresses the formal aspects of Salas’s art as well as [...]
    ICAA Record ID: 1133157

  • Burztyn [sic] por encima de toda sospecha
    Traba, Marta
    1974
    “Burztyn [sic] above any suspicion” is the title of Marta Traba’s response to an accusation of plagiarism concerning the installation Las Camas [The Beds] by the sculptor Feliza Bursztyn in 1974 at the Museo de Arte Moderno [Museum of Modern [...]
    ICAA Record ID: 1075979

  • Carlos Caicedo : fotógrafo de prensa
    Samper Pizano, Daniel, 1945-
    1976
    This essay appeared in the catalogue of Carlos Caicedo, Reportero Gráfico, the exhibition presented at the Museo de Arte Moderno in Bogotá in 1976. In his essay, the writer and journalist Daniel Samper Pizano discusses the work of the [...]
    ICAA Record ID: 1133996

  • Cinco dibujantes
    Serrano, Eduardo, 1939-
    1975
    With the text, “Cinco dibujantes” [Five Draftsmen], Eduardo Serrano Rueda, Colombian art critic and curator, presented the exhibition 5 dibujantes. Astudillo/Caballero/Guerrero/ Jaramillo/Truss. The show opened in October 1975 at the Museo de [...]
    ICAA Record ID: 855717

  • Cuatro tiempos
    Serrano, Eduardo, 1939-
    1993
    Olga de Amaral: Cuatro tiempos is the title of the retrospective exhibition of works presented by the textile artist at the Museo de Arte Moderno in Bogotá from November 1993 to February 1994. It is also the title of the catalogue essay written by [...]
    ICAA Record ID: 1134094

  • Definición de Andrés de Santamaría y su obra
    Rubiano Caballero, Germán, 1938-
    1971
    The art historian Germán Rubiano Caballero wrote this essay in 1971, on the occasion of the retrospective exhibition of works by Andrés de Santa María at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá. This exhibition included for the [...]
    ICAA Record ID: 1094316

  • El arte y la violencia bipartidista
    Medina, Alvaro, 1942-
    1999
    Curator and historian Álvaro Medina wrote an essay that addresses the socio-political and aesthetic history of Colombia during the second half of the 20th century. One section of the essay, “El arte y la violencia bipartidista,” deals with the [...]
    ICAA Record ID: 1132272

  • El arte y la violencia en la era del narcotráfico
    Medina, Alvaro, 1942-
    1999
    In a text entitled “El Arte y la violencia en la era del narcotráfico” that deals with art and violence, Álvaro Medina describes and analyzes the radical transformation that the armed conflict in Colombia underwent in the early eighties. In it [...]
    ICAA Record ID: 1132372

  • El arte y la violencia revolucionaria
    Medina, Alvaro, 1942-
    1999
    “El arte y la violencia revolucionaria” is one of the chapters of Arte y violencia en Colombia desde 1948 by Álvaro Medina. A historian and curator, Medina provides a serious reflection on the relationships between artistic practices and the [...]
    ICAA Record ID: 1132288

  • El color de la vida, el color de la muerte
    Ruiz Gómez, Darío, 1936-
    1976
    The text “El color de la vida, el color de la muerte” by critic and writer Darío Ruiz Gómez was published in the flyer put out by the Museo de Arte Moderno of Bogotá on the occasion of the exhibition of the same name featuring work by painter [...]
    ICAA Record ID: 1133093

  • El Nadaísmo en el museo : la retrospectiva de Pedro Alcántara
    Jotamario
    1980
    This is a biographical sketch of Pedro Alcántara written by the Colombian Nadaísta [Nothing-ist] poet Jotamario Arbeláez on the occasion of the retrospective exhibition Alcántara 1960–1980 at the Museo de Arte Moderno [Museum of Modern Art] in [...]
    ICAA Record ID: 1052193

  • Espacios ambientales: la ilusión óptica
    Ardila, Jaime, 1942-; Lleras, Camilo, 1949-
    1984
    The chapter “Espacios ambientales: la ilusión óptica” in the book Verdades sobre arte, mentiras sobre papel. Encuentros con Santiago Cárdenas y su obra, is an interview done by Jaime Ardila and Camilo Lleras with the painter Santiago Cárdenas [...]
    ICAA Record ID: 1135806

  • Generación instalada
    García, María Margarita
    1996
    Published in the Bogotá-based newspaper La Prensa on October 31, 1996, the article entitled “Generación Instalada” by journalist María Margarita García is a critical and descriptive review of the fifth edition of the Bienal de Bogotá. The [...]
    ICAA Record ID: 1132436

  • Geometría espiritual
    Serrano, Eduardo, 1939-
    1987
    The Colombian curator and art critic Eduardo Serrano introduced the retrospective exhibition Manolo Vellojín. Dos décadas (1987) at the Museo de Arte Moderno in Bogotá. In this exhibition, the writer points out three “sources” of Abstract art [...]
    ICAA Record ID: 1134824

  • I Bienal de arte de Bogotá
    González, Miguel, 1950-
    1988
    “I Bienal de Arte de Bogotá” [1st Bogotá Art Biennial], by the Colombian critic and curator Miguel González, is a newspaper article about the event that took place at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá in 1988. Gonzá [...]
    ICAA Record ID: 1098338

  • Introducción
    Serrano, Eduardo, 1939-
    1976
    Un lustro visual: Ensayos sobre arte contemporáneo colombiano [Five Years of Visual Art: Essays on Contemporary Colombian Art] (1976) is a collection of articles published by the art critic Eduardo Serrano in newspapers, magazines, and exhibition [...]
    ICAA Record ID: 1076577

  • Introducción
    Serrano, Eduardo, 1939-
    1983
    This text by Eduardo Serrano is the introduction to the book Historia de la fotografía en Colombia (1840-1950). In it, Serrano explains the importance of the publication of this book for the fields of art and history insofar as it recovers the [...]
    ICAA Record ID: 1091141

  • Introducción
    1963
    This document is the introduction to the catalogue of a show of contemporary painting from Venezuela organized in June 1963 by the Museo de Arte Moderno (MAM) of Bogotá in conjunction with the exhibition hall of the Biblioteca Luis Ángel Arango. [...]
    ICAA Record ID: 1132869

  • La Bienal de Bogotá
    Serrano, Eduardo, 1939-
    1988
    The critic and curator Eduardo Serrano writes the opening essay in the catalogue for the Iª Bienal de Arte de Bogotá [1st Bogotá Art Biennial]. He evokes the commemoration of the 450th anniversary of the founding of the city of Bogotá to [...]
    ICAA Record ID: 1098322

  • La Bienal y las rupturas : el punto de vista de su curador y uno de sus jurados
    Serrano, Eduardo, 1939-
    1990
    In this article in the daily newspaper El Tiempo, the critic Eduardo Serrano emphasizes the role of the Segunda Bienal de Arte [Second Art Biennial] (September 1990). This biennial was organized by the Museo de Arte Moderno [Museum of Modern Art] of [...]
    ICAA Record ID: 858355

  • La chispa de Luis Paz
    Medina, Alvaro, 1942-
    1975
    Álvaro Medina analyzes the work of Colombian artist Luis Paz, who “works with ideas more than with images.” Medina defines Paz’s work as Conceptual art, a category that allows him to explain what is supposedly understood by this trend in [...]
    ICAA Record ID: 1130227

  • La Colección de pinturas de la Biblioteca “Luis Ángel Arango”, núcleo inicial para un posible museo de arte moderno
    Gil Tovar, F. (Francisco)
    1960
    This article, written by the Spanish art critic Francisco Gil Tovar, discusses the Banco de la República Art Collection three years after it was founded. The article is divided into five brief sections, as follows: an introductory paragraph, “La [...]
    ICAA Record ID: 1131419

  • La obra de Álvaro Barrios
    Serrano, Eduardo, 1939-
    1977
    In this essay the critic and curator Eduardo Serrano introduces the exhibition of works by the Colombian artist Álvaro Barrios at the Museo de Arte Moderno in Bogotá in March 1977. Serrano begins his essay with the most conventional of all [...]
    ICAA Record ID: 1099651

  • La obra de Luis Hernando Giraldo : lo que siempre ha estado y permanece
    Jaramillo, Carmen María, 1958-
    1999
    This essay appeared in the catalogue for La sensación del tiempo humano. Homenaje a Giorgione, the exhibition of works by the Colombian artist Luis Hernando Giraldo (b. 1946) that was presented in March 1999 at the Museo de Arte Moderno in Bogotá. [...]
    ICAA Record ID: 1133381

  • La obra en video de Rodrigo Castaño : en el último salón Atenas
    Carbonell, Galaor, 1938-
    1979
    This article refers to the work of the video artist and TV/film producer, Rodrigo Castaño, shown at the IV Salón Atenas at the Museo de Arte Moderno of Bogotá, in October 1978. Castaño’s work consists of three videos: Autorretrato (1978); [...]
    ICAA Record ID: 1131015

  • La poesía de la chatarra : la exposición de Feliza Burztyn
    Engel, Walter, 1908-2005
    1964
    The Austrian critic and art historian Walter Engel wrote the article “La Poesía de la Chatarra” [The Poetry of Scrap Metal] that appeared in El Espectador on October 4, 1964, on the occasion of the second solo exhibition of sculpture by Feliza [...]
    ICAA Record ID: 1089092

  • Liliana Angulo, del otro lado del espejo
    Arcos Palma, Ricardo
    2007
    Ricardo Arcos-Palma’s article “Liliana Angulo, del otro lado del espejo” is a critical reflection on Liliana Angulo’s work. The text was published on April 4, 2007 in Escáner Cultural, a web-based magazine specialized in art from Chile. In [...]
    ICAA Record ID: 1133029

  • Los años setentas : y el arte en Colombia
    Serrano, Eduardo, 1939-
    1980
    In the article “Los años setentas y el arte en Colombia,” written for the Medellín-based magazine, Re-Vista del Arte y la Arquitectura en América Latina, art critic and curator Eduardo Serrano Rueda takes stock of the Colombian art scene in [...]
    ICAA Record ID: 860458

  • Luis Fernando Roldan
    Ponce de León, Carolina, 1955-
    2004
    In Carolina Ponce de León’s chapter about the Colombian artist Luis Fernando Roldán, in El efecto mariposa [The Butterfly Effect], she discusses two periods in his career, one prior to and one after Parque de la Independencia [Independence Park [...]
    ICAA Record ID: 1131984

  • Monólogo con los objetos
    Opazo, Mario, 1969-
    1995
    The article “Monólogo con los objetos” [Monologue with Objects], written by Mario Opazo, was published on the “La guía” [The Guide] page of the “Artista Invitado” [Invited Artist] cultural section of the El Espectador newspaper (June 6 [...]
    ICAA Record ID: 1131615

  • Monumentos vivos
    Pabón, Consuelo, 1961-
    2006
    This text is the closing chapter of Consuelo Pabón’s essay “Actos de Fabulación. Arte, Cuerpo y Pensamiento Año 2000: Memorias de una Itinerancia.” In 2005, it was awarded the prize given by the Colombian Ministerio de Cultura to a [...]
    ICAA Record ID: 1129458

  • Museo de Arte Moderno de Bogotá
    1963
    Issued between August and September of 1963, this document is the first annual report of the activity of the Museo de Arte Moderno of Bogotá (MAM). A foldable brochure, the document consists of a list of actions undertaken and of individuals and [...]
    ICAA Record ID: 1093526

  • Nota biográfica
    Traba, Marta
    1965
    This document is the catalogue in brochure form accompanying an exhibition of work by Pablo Solano (1928?2013), entitled Óleos y Dibujos [Oil Paintings and Drawings], that opened at the Museo de Arte Moderno of Bogotá (MAM) on June 8, 1965. The [...]
    ICAA Record ID: 1097998

  • Observaciones
    Iregui Restrepo, Jaime, 1956-
    1997
    “Observaciones” by Jaime Iregui, the artist and cultural agent, is the text from the first section of Tándem 2, the publication that also reported on the workshops presented at the exhibition Observaciones. Obra en Tándem con Carlos Salas [...]
    ICAA Record ID: 1134126

  • Once antioqueños en el M.A.M.
    Serrano, Eduardo, 1939-
    1975
    The article “Once antioqueños en el M.A.M.” by Eduardo Serrano Rueda discusses the exhibition of the same name held at the Museo de Arte Moderno of Bogotá in 1975. That show featured eleven artists from the city of Medellín, capital of the [...]
    ICAA Record ID: 1134547