Name Descriptor: Dewasne, Jean, 1921-1999×
  • ¿Hacia dónde va la pintura en el Perú¿? : Primer Salón de Pintura
    Valle, Alejandro Romualdo, 1926-2008
    1955
    The author identifies the principal characteristic of the works shown at the Primer Salón Annual de Pintura Peruana “as a strong and cohesive predilection for objectivity.” Among others, he highlights Alfredo Ruiz Rosas for his “successful [...]
    ICAA Record ID: 1138900

  • 12 meses de artes plásticas en Lima
    Ugarte Eléspuru, Juan Manuel, 1911-
    1955
    The author highlights here the intensity of activities on the arts scene of the Peruvian capital in 1954, both for the number and the importance of exhibitions, a fact which, in his judgment, demonstrates the ever-increasing affirmation of the visual [...]
    ICAA Record ID: 1137301

  • Arte : Dewasne
    1954
    This is an anonymous article about the French painter Jean Dewasne’s forthcoming visit to Lima in 1954, including a review of his career and his status as a key figure in the European art scene. He is described as being among those who were [...]
    ICAA Record ID: 859465

  • Artes plásticas
    Salazar Bondy, Sebastián
    1954
    According to the author, the works by Jean Dewasne shown at the Galería de Lima are representative of a kind of formalist art that is impressive because of its clarity and precision, over and above arguments that deceitfully attempt to place it [...]
    ICAA Record ID: 859550

  • Breve diálogo con Jean Dewasne
    Szyszlo, Fernando de
    1954
    In this article, Fernando de Szyszlo interviews his colleague, the renowned French exponent of geometric abstraction, Jean Dewasne, who explains that he rejects the romantic concept of “inspiration” on the grounds that it is a “passive” [...]
    ICAA Record ID: 859117

  • Cuidado con la pintura : el arte por el arte abstracto : comentario al premio “Manuel Moncloa y Ordóñez
    Valle, Alejandro Romualdo, 1926-2008
    1955
    Alejandro Romualdo Valle critiques the III Salón de Pintura Manual Moncloa which, in his judgment, posits “abstract art as a complete substitute for art,” arguing that abstraction divides man from art, thus debilitating the latter. [He states] [...]
    ICAA Record ID: 1227101

  • De arte : Jean Dewasne en la Galería de Lima
    Pérez Luna, Edgardo, 1928-1984
    1954
    The critic and playwright Edgardo Pérez Luna reviews the exhibition of works by the French artist Jean Dewasne presented at the Galería de Lima in October 1954. According to the reviewer, in Dewasne’s works, which are not at all figurative, the [...]
    ICAA Record ID: 859484

  • En blanca y negra...
    Miró Quesada Garland, Luis
    1954
    In this article, Luis Miró Quesada notes that Lima art critics were unanimously agreed on the importance of Jean Dewasne’s exhibition of paintings, despite the local art world’s animosity toward abstract art. Quesada rejects claims that this [...]
    ICAA Record ID: 859589

  • En blanca y negra...: arte abstracto de Jean Dewasne
    Miró Quesada Garland, Luis
    1954
    In this review Luis Miró Quesada Garland discusses the exhibition of works by Jean Dewasne at the Galería de Lima. The reviewer suggests that the French painter’s works might be a little too radical for local tastes. They are examples of a form [...]
    ICAA Record ID: 859530

  • Reflexiones ante la muestra de Dewasne
    Lora Risco, Alejandro
    1954
    This essay is by Peruvian art critic and poet Alejandro Lora Risco regarding the French artist Jean Dewasne and the incomprehension demonstrated by his colleagues relating to Dewasne’s exhibition at the Galería de Lima. Lora Risco relies on Andr [...]
    ICAA Record ID: 859505