Name Descriptor: Martins, Aldemir, 1922-×
  • [Los primeros testimonios sobre el Brasil surgieron en forma de grabados...]
    Silva, Alberto da Costa e, 1931-
    1968
    The text by Brazilian author Alberto Da Costa e Silva for the exhibition “9 grabadores del Brasil” [Nine Engravers of Brazil] (Museo de Bellas Artes, Caracas, 1968) presents an expansive view of the history and evolution of engraving in the [...]
    ICAA Record ID: 1156704

  • Aldemir Martins e a pintura
    Baratta, Mário, 1914-1983; Martins, Aldemir, 1922-
    1945
    This document records an informal conversation between the art critic Mário Baratta and the Brazilian artist Aldemir Martins. They discuss the motives that led him to join the lengthy list of internal migrants leaving the state of Ceará [...]
    ICAA Record ID: 1110782

  • Arte na rua
    Amaral, Aracy A., 1930-
    1984
    In her role as the director of the MAC-USP (Museu de Arte Contemporânea da Universidade de São Paulo), Aracy Amaral praises the results of the first edition of Arte na Rua [Art in the Street], the project suggested by the artists Ana Maria Tavares [...]
    ICAA Record ID: 1110675

  • De como deve ser visto o binômio Clã-SCAP
    Baratta, Mario, 1868-1935
    1988
    In 1988 the art critic Mário Baratta described the origins and performance of the group of artists and writers who produced Clã [Clan] magazine and founded the SCAP (Sociedade Cearense de Artes Plásticas) in the mid-1940s in the state of Ceará. [...]
    ICAA Record ID: 1111385

  • Nas artes plásticas
    Vieira, José Geraldo, 1897-1977
    1953
    Through this commentary, critic José Geraldo Vieira introduces the folk figure of the cangaceiro [“farmhand guerilla” in northeastern Brazil, a bandit and a fugitive from the law who is heavily armed] as a theme in the works of writers and [...]
    ICAA Record ID: 1110853