Name Descriptor: Worringer, Wilhelm, 1881-1965×
  • [Letter] 1930 Julio 15, Miraflores [to] Antonino Espinosa y Saldaña
    Ibérico, Mariano, 1892-1974
    This letter by Mariano Ibérico was written at the request of painter Antonino Espinosa Saldaña. More specifically, Ibérico was asked to share his opinion on the polemic surrounding the course on Incan art given at the Escuela Nacional de Bellas [...]
    ICAA Record ID: 1143618

  • La esencia del estilo gótico
    Bayón, Damián
    This article by Damián Bayón presents and analyzes the book by Wilhelm Wörringer, Form in Gothic [Formprobleme der Gotik, 1912]. He states that it is a “masterpiece,” but this does not prevent Bayón from pointing out certain discrepancies [...]
    ICAA Record ID: 786286

  • Nuevas ideas : la estética del sidero-cemento
    Maples Arce, Manuel, 1900-
    In this text, the poet Manuel Maples Arce connects the use of the “sidero-cemento” [iron and steel cement] to geometric purity, monumentality, and the workers’ progress. He writes about the construction system of primitive peoples and [...]
    ICAA Record ID: 737643

  • O expressionismo
    Segall, Lasar
    This is an excerpt from the text of the lecture given by the Lithuanian-born artist Lasar Segall in June 1924 at the Vila Kyrial in São Paulo, on the occasion of one of the meetings between Senator Freitas Valle and a group of modernist artists and [...]
    ICAA Record ID: 783352

  • Sobre el arte nuevo en la post-guerra : carta a los artistas de América
    Oteiza, Jorge de, 1908-2003
    In this extensive article, Spanish sculptor Jorge de Oteiza examines the connections between art from the Americas and art from Europe, urging American artists not to fall into a fanatical independence and eschew the essential influence of European [...]
    ICAA Record ID: 1089675