Documents of Latin American and Latino Art

Emilio Goyburu opens this text by asserting that the “abstractionist prejudice” of which Abril de Vivero speaks on the pages of this same publication (Plástica) makes references to a form of snobbery inevitable in any movement that brings [...]

In these interviews, the author Ismael Pinto said that the decision by the INC (Instituto Nacional de Cultura) to send “arts and crafts” to the Bienal Internacional de São Paulo (1977) was evidence of a discriminatory cultural policy at the INC [...]