Name Descriptor: Bracho, Gabriel, 1915-×
  • Visita al XIX salón de arte venezolano
    Erminy, Perán
    In his review of the XIX Salón de Arte Venezolano (1958), the critic Perán Erminy notes the ingenious reliance on historical criteria in the arrangement of works selected for the event, from the old landscape masters to the new style of Abstract [...]
    ICAA Record ID: 1172221

  • Llenaron ayer las galerías de Bellas Artes concurrentes de todos los sectores sociales : reconocieron un gran contenido a la exposición de Bracho
    The press release refers to the first exhibition of the work of Venezuelan artist Gabriel Bracho at the Museo de Bellas Artes de Caracas. The opening featured a large crowd from various segments of society. It reviews the great success in support and [...]
    ICAA Record ID: 1141713

  • Museo de Bellas Artes presenta nuevas obras de Gabriel Bracho
    This text is a review of the well-attended exhibition of work by Gabriel Bracho held at the Salón del Museo de Bellas Artes. The text describes Bracho as a good draftsman and colorist; it addresses his Marxist inclination and concern with social [...]
    ICAA Record ID: 1101886

  • El mensaje de Gabriel Bracho es neo-americano : cartas de Buenos Aires
    García Hernández, Manuel
    The Argentinean essayist Manuel García Hernández—a close friend of Gabriel Bracho—reviews the 1951 exhibition of the artist’s work at the Salón Peuser, which he deems “one of the most brilliant galleries” in Buenos Aires. Hernández [...]
    ICAA Record ID: 1101870

  • Semblanzas de nuestros días en la pintura de Gabriel Bracho
    Lobos, Pedro, 1918-1968
    According to the essayist Pedro Lobos, the exhibition of works by the young painter Gabriel Bracho represents an evolutionary trend in the history of art in which the subject and its anecdotes play an essential role; the difference being that, in [...]
    ICAA Record ID: 1080662

  • La pintura de Gabriel Bracho
    Buenaventura, Enrique
    Enrique Buenaventura reviews and critiques Gabriel Bracho’s first exhibition at the Museo de Bellas Artes in Caracas. The Colombian playwright identifies the artist as a realist painter who has not yet reached maturity, which is the reason why the [...]
    ICAA Record ID: 1074240

  • Bracho sacrifica lo más caro a todo artista : la libertad
    Poet Guillermo Alfredo Cook asserts that, insofar as Gabriel Bracho’s work has rendered painting literary, it has mistaken the essence of art, reducing it to political slogans and ideological propaganda. He describes Bracho’s painting as a [...]
    ICAA Record ID: 850751

  • Gabriel Bracho
    Liscano, Juan, 1915-
    Juan Liscano reviews the show that Gabriel Bracho had in 1951 at the Museo de Bellas Artes de Caracas. The author notes that the painter, a dedicated follower of David Alfaro Siqueiros, “aspires to the fresco” and captures the problems and [...]
    ICAA Record ID: 850217

  • Excelencias de un pintor comprometido
    Mujica, Héctor, 1927-
    In this text, journalist Héctor Mujica examines the artistic qualities of painter Gabriel Bracho in the exhibition of the artist’s work held at the Museo de Bellas Artes of Caracas in 1951. Mujica describes Bracho’s work as “combat painting [...]
    ICAA Record ID: 845986

  • Venezuela, visiones de su pintura del siglo XIX.
    Rodríguez, Bélgica, 1941-
    The Venezuelan art historian Bélgica Rodríguez takes a look at the art produced in her country. According to her, twentieth-century Venezuelan art began with the landscape painters who were active in the early part of the century. She [...]
    ICAA Record ID: 805871