Name Descriptor: Gullar, Ferreira, 1930-×
  • [Letter] 1974 June 8, New York [to] Ferreira Gullar
    Amaral, Antonio Henrique
    1974
    In this letter to poet Ferreira Gullar, artist Antonio Henrique Amaral expresses the dilemma he faces about whether to continue to deal with the problems of life in New York or return to Brazil. He explains that he has grown accustomed to the [...]
    ICAA Record ID: 1111048

  • Depoimentos : Ferreira Gullar
    Ferreira, Glória, 1947-; Interlenghi, Luiza
    In his testimony the critic Ferreira Gullar describes his involvement in the third Salão Nacional de Arte Moderna, also called the Salón Blanco y Negro (Black-and-White Salon), in 1954. At that point in time he was not a professional [...]
    ICAA Record ID: 1307732

  • La comunicación en las artes nuevas
    Ramos, María Elena, 1947-
    1981
    The director of the Museo de Bellas Artes [Museum of Fine Arts] in Caracas, María Elena Ramos, presented a paper at the I Coloquio de Arte No Objetual [First Symposium on Abstract Art] (Medellín, 1981) under the title, “La comunicación en las [...]
    ICAA Record ID: 1098856

  • Modernidade e identidade: as duas Américas Latinas, ou três, fora do tempo
    Amaral, Aracy A., 1930-
    1990
    The author of this essay, Aracy A. Amaral, mentions the importance of certain thinkers on the subject of Latin American art: Marta Traba, Ferreira Gullar, Luis Felipe Noé, Juan Acha, and Octavio Paz. In her opinion, “new” art feels obliged to [...]
    ICAA Record ID: 776159

  • Neoconcretismo e Merleau-Ponty : através
    Coutinho, Wilson, 1947-2003
    This essay by the Brazilian art critic Wilson Coutinho appeared in the catalogue for the exhibition Ciclo de exposições sobre arte no Rio de Janeiro: 1. Neoconcretismo (Rio de Janeiro: Galeria de Arte BANERJ, 1984). The essay outlines [...]
    ICAA Record ID: 1315430

  • Paulistas e cariocas
    Pedrosa, Mário
    1957
    In this article Mário Pedrosa discusses the differences between the São Paulo and the Rio de Janeiro versions of concrete art. In his (rather Manichaeisticly oversimplified) view, the former are a more theoretical, rigid response to the dogmatic [...]
    ICAA Record ID: 1085056

  • Rio : vertente construtiva
    Morais, Frederico, 1936-
    1984
    In his introductory essay, Frederico Morais identifies the basic criteria underpinning the three retrospective exhibitions that were presented as part of the Ciclo de exposições sobre arte no Rio de Janeiro (1984). He briefly discusses [...]
    ICAA Record ID: 1317025

  • Teoria e prática do concretismo carioca
    Cordeiro, Waldemar, 1925-1973
    1957
    In this article about the artists from Rio de Janeiro who took part in the Iª Exposição Nacional de Arte Concreta, Waldemar Cordeiro, as usual, scrutinizes the parameters of theory and practice that reveal radical differences in the defining [...]
    ICAA Record ID: 1087287