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[Letter] 1968 Enero 30, Hato Rey, Puerto Rico [to] Lorenzo Homar
1968The Puerto Rican artist and critic José A. Torres Martinó writes to Lorenzo Homar to describe the technique that was used to remove the tiles of the mural installed in the pool area of El Escambrón (the project was undertaken in 1966), and how [...]ICAA Record ID: 863575 -
Congreso y exposición de artistas abstractos en Puerto Rico
1985The French critic and historian Marianne de Tolentino, who lives in the Dominican Republic, lists the artists who took part in the exhibition, Primer Congreso de Artistas Abstractos de Puerto Rico [First Puerto Rican Abstract Artists Conference] that [...]ICAA Record ID: 805348 -
Entrevista al señor Marcos Irizarry: 1986-1987
1986This document is an interview of the Puerto Rican artist, Marcos Irizarry, by Jacqueline Biaggi in which the artist provides important facts about his life, his studies and his exhibitions. Irizarry was a printmaker who participated in various [...]ICAA Record ID: 1055226 -
Introducción
1968Spanish artist José Ayllón states that Puerto Rican artist Marcos Irizarry has focused on the etching medium and worked intensively to increase its importance in Puerto Rico. Ayllón’s essay discusses the relationship between the etching [...]ICAA Record ID: 863309 -
No es Contra-Bienal, pero...
1981In this essay, Samuel Cherson, a Cuban critic living in exile in Puerto Rico, discusses the exhibition organized by the Hermandad de Artistas Gráficos [Graphic Artists Association] featuring the artists who refrained from participating in the Quinta [...]ICAA Record ID: 867230