Creator: Pedrosa, Adriano×
  • [São vastos e misteriosos os espaços descontínuos entre representação, percepção e tradução] = [The gaps between representation, perception and translation are vast and mysterious]
    Pedrosa, Adriano
    1997
    Guided by certain poetic and fictional considerations, the art critic and curator Adriano Pedrosa discusses Daniel Senise’s paintings. Using short phrases that address various parts of the catalogue in a frank dialogue with the images, the author [...]
    ICAA Record ID: 1110987

  • [Uma tela de Daniel Senise nos diz que é impossível ter certeza]
    Pedrosa, Adriano
    1994
    The art critic Adriano Pedrosa wrote this essay as an introduction to Daniel Senise’s 1994 exhibition  at the Thomas Cohn Arte Contemporânea gallery in Rio de Janeiro. In Pedrosa’s opinion, the narratives in Senise’s work are as seductive [...]
    ICAA Record ID: 1110988

  • A verdade mente
    Pedrosa, Adriano
    1999
    Adriano Pedrosa wrote this text on Iran do Espírito Santo’s work for the 1999 edition of the Biennale di Venezia. Pedrosa asserts that any perception of “the real” depends on the language used to express it. That is evident in do Espírito [...]
    ICAA Record ID: 1111269

  • Arte contemporânea brasileira
    Pedrosa, Adriano
    1998
    Adriano Pedrosa, curator of the segment “Arte Contemporânea Brasileira” in the 24th International Biennial of São Paulo (1998), states that the name of the exhibition he is curating raises the following question: “What art is (not) [...]
    ICAA Record ID: 1111154

  • Gloss
    Pedrosa, Adriano
    1996
    In this essay, written in subsections, several references are made to the work produced by the painter Beatriz Milhazes. The text, written by the curator Adriano Pedrosa, also discusses concepts and issues related to the artist’s various works, [...]
    ICAA Record ID: 1110984