Creator: Padín, Clemente, 1939-×
  • [Somos mutantes, es decir, vividos...]
    Padín, Clemente, 1939-
    1966
    In 1965, the original manifesto of the magazine Los Huevos del Plata was an avant-garde platform advocating against Uruguayan cultural dominance by the so-called Generación del ’45, a group of writers who exerted and promoted their strong [...]
    ICAA Record ID: 1243157

  • Arte correo en el Uruguay
    Padín, Clemente, 1939-
    1985
    From a Uruguayan perspective, visual artist and performer Clemente Padín discusses the importance of Mail Art in Latin America, as well as the problems it faces. In this article, he explains the origins of Mail Art as a movement for international [...]
    ICAA Record ID: 1247293

  • Arte en las calles
    Padín, Clemente, 1939-
    1990
    In this essay, the artist and performer Clemente Padín explains the concept of “street art and urban art” following the alternative art exhibition, Tomarte, held in the city of Rosario, Argentina, in April 1990, with the pretense of injecting [...]
    ICAA Record ID: 1243093

  • Arte postal en Latinoamérica
    Padín, Clemente, 1939-
    1988
    Clemente Padín describes and discusses his vision as a creator and promoter of Mail Art in the 1970s in Uruguay. He approaches the subject from the broad perspective of the movement’s worldwide activities, providing a comparative analysis that [...]
    ICAA Record ID: 1240703

  • Clemente Padín : el artista está al servicio de la comunidad
    Padín, Clemente, 1939-
    1976
    In this article, published in the magazine Buzón de Arte/Arte de Buzón nº 1 (Caracas, January 1976), the Uruguayan artist Clemente Padín describes his work/action project, “El artista está al servicio de la comunidad,” which could be seen at [...]
    ICAA Record ID: 1154731

  • Dictadura o clamoreo en el Uruguay
    Padín, Clemente, 1939-
    1994
    Here Clemente Padín sketches a retrospective of his life as an artist—he was an experimental poet, graphic designer, performer, and networker—during the Uruguayan military-civilian dictatorship (that lasted from the June 27, 1973 coup d’état [...]
    ICAA Record ID: 1240688

  • El arte correo en el Uruguay
    Padín, Clemente, 1939-
    1985
    Mail Art was started in the United States in the 1960s and quickly caught on in the rest of the world. Clemente Padín—the author of this article and one of the artists who worked in this style among many others (he was a performer, poet, and was [...]
    ICAA Record ID: 1191850

  • Hachepiencia
    Padín, Clemente, 1939-; Paz, Hector; Linares, Juan José
    1966
    This essay is on “Hachepiencia,” the manifesto produced by the Uruguayan group Los hachepientos, which was formed by Clemente Padín, Héctor Paz, and Juan José Linares. The principal objectives of the group were outlined in the manifesto [...]
    ICAA Record ID: 1243133

  • La performance desde la perspectiva Latinoamericana
    Padín, Clemente, 1939-
    2005
    In this article Clemente Padín discusses the historical development of performance art in Europe and in North America. He also refers to specific examples to describe the nature of this action art as practiced in Latin America. He believes [...]
    ICAA Record ID: 1240733

  • Tucumán Arde. Paradigma de acción cultural revolucionaria
    Padín, Clemente, 1939-
    1971
    For the first time in Montevideo in 1971, three years after the artistically-political transformative event, called Tucumán Arde, took place in Rosario and Buenos Aires, Argentina, a comprehensive, all inclusive account was published. The one who [...]
    ICAA Record ID: 1243207