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Gabriel Bracho
1951Juan Liscano reviews the show that Gabriel Bracho had in 1951 at the Museo de Bellas Artes de Caracas. The author notes that the painter, a dedicated follower of David Alfaro Siqueiros, “aspires to the fresco” and captures the problems and [...]ICAA Record ID: 850217 -
La reiteración de Vigas
1978In this article, Juan Liscano delivers a positive critique of the painter Oswaldo Vigas’ “reiteration” of subjects with Latin American and Venezuelan roots in the face of the rising importance of “technological art.” In the same vein, [...]ICAA Record ID: 1152769 -
Pedro León Castro y Héctor Poleo
2001The literary critic Juan Liscano issues a warning about the tendency for technique to take on a value of its own in contemporary society, and how that trend can affect the artist. He mentions a few instances among the European avant-garde, and the [...]ICAA Record ID: 850175