Documents of Latin American and Latino Art

In this essay, curator and researcher Eliseo Sierra argues that the seventh Bienal de Dibujo de Caracas is totally irrelevant because it no longer captures the reality of Venezuelan contemporary art. Sierra questions the reason for privileging one [...]

The art critic and researcher Eliseo Sierra reviews a decade of the life and art of the Venezuelan painter Susana Amundaraín, from her beginnings in the 1980s through 1992. After reviewing the art world at the time she began to produce art, the [...]

Eliseo Sierra analyzes the sources and characteristics of Gego’s graphic discourse (drawings, prints, watercolors, and weavings). Sierra finds that the artist’s work resists classification and is substantially different from the masterworks of [...]