Documents of Latin American and Latino Art

Rubén Santantonín presented this work at the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9 – October 11, 1964 [...]

In this document Rubén Santantonín establishes the difference between objects and things; in other words, the manner in which he names his works. He explains that the former lack all “indicio humano” [“human traces”]; they are [...]

This document presents the list of individual and group exhibitions that Rubén Santantonín participated in, as well as photographic reproductions of the artist’s works that were included in the Argentinean submissions to the VII Bienal de São [...]

This document contains two texts, one by Rubén Santantonín and another by Kenneth Kemble, as well as a reproduction of the work by Santantonín that was part of the national selections for the 1963 Premio Internacional de Pintura del Intituto [...]

In this text-manifesto, argentine artist Rubén Santantonín presents the conceptual principles of his work. “No pretendo unir pintura con escultura. Trato de colocarme lejos de esas dos disciplinas en cuanto pueden ser método, sistema, medio. [...]